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“Hellbender” shows off one family’s filmmaking talents but falls flat under the weight of its poorly developed plot and dialogue. [Fantasia International Film Festival]

From Rosemary’s Baby to False Positive, Psycho to Mommie Dearest, motherhood and the horror genre are a match made in heaven. The labyrinth of psycho-socio-political issues surrounding motherhood, pregnancy, and the mother-child relationship has truly found its home in horror… Read More ›

You may want to leave a few lights on to watch “The Last Thing Mary Saw,” a visually petrifying feature debut from writer/director Edoardo Vitaletti. [Fantasia International Film Festival]

You don’t necessarily need complex characters or ingenious plot twists to write an engaging story. With strong imagery and a clear, palpable tone that physically affects your audience, you can transform the most overdone plot into a memorable tale. Writer/director… Read More ›

Director Nick Gillespie’s second feature, “Paul Dood’s Deadly Lunch Break,” utilizes conventions, only to usurp them, crafting a scruples comedy tipped in horror. [Fantasia International Film Festival]

In this life there are few things worse than being misunderstood, to possess the feeling that those around you can’t see about you what you see in yourself. This schism between social reflection and personal identity has been the source… Read More ›

Documentarian Julien Faraut successfully preserves the incredible story of the 1964 Japanese volleyball team, even if the presentation lacks the energy the true story deserves. [North Bend Film Festival]

Storytelling is all about execution. You can have the most fascinating, compelling, edge-of-your-seat concept, but, if the execution flounders, nothing else matters. Take the story about the 1964 Olympic Games in Tokyo which saw the introduction of volleyball as an… Read More ›