From a certain point of view, individualism is the same as conformity. They might clash in their mission, but are otherwise simply a uniform someone wears in order to identify themselves. Got green hair made into spikes? Listen to antiestablishment… Read More ›
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While not a total revelation, “The Suicide Squad” certainly pushes the bounds of the subgenre.
After their first appearance in DC Comics’ “The Brave and the Bold” issue 25 in 1959, the subversive military group known as Task Force X has known many members over its lengthy run. It’s not just because the missions they… Read More ›
Explore the wonders of “Strawberry Mansion,” a love letter to the films that first sparked the imaginations of an entire generation of fantasy fans. [Fantasia International Film Festival]
You don’t need a degree in film studies to make an educated guess about when a movie was made, or to at least place it within the right decade. It’s easy to recognize specific cinematic styles and themes from each… Read More ›
Identity and moral responsibility are at the heart of Lee Yong-ju’s sci-fi thriller “Seobok.” [Fantasia International Film Festival]
What defines “personhood”? This is a complex question that gets debated quite a bit, specifically in regard to pre-birth healthcare. Is it from the moment of cell division, the presence of a heartbeat, or the moment a life reaches prime… Read More ›
Coming to home video, first-time feature director Enrico Casarosa’s “Luca” is a lovely exploration of friendship all us underdogs can understand.
I don’t think anyone would argue that times are now (March 2020 – now, August 2021) and the foreseeable future are rife with change. To have gone from a lifestyle where one could go as they pleased to having to… Read More ›
UFO researchers Seth Breedlove and Shannon LeGro take their investigations to West Virginia in “On the Trail of UFOs: Dark Sky.”
When we talk about strange and mysterious subjects that we’re nowhere close to understanding, like unidentified aerial phenomena (UAP) and the possibility of extraterrestrial life, it’s more useful to pose open-ended questions than to try and pinpoint definite answers. Asking… Read More ›
Director Nick Gillespie’s second feature, “Paul Dood’s Deadly Lunch Break,” utilizes conventions, only to usurp them, crafting a scruples comedy tipped in horror. [Fantasia International Film Festival]
In this life there are few things worse than being misunderstood, to possess the feeling that those around you can’t see about you what you see in yourself. This schism between social reflection and personal identity has been the source… Read More ›
To be as Blunt as a river Rock, “Jungle Cruise” is a fun-filled family ride.
When it comes to selling movies, there’s nothing better than a well-known IP. Audiences already possess a connection with it and it makes selling it even easier for the filmmakers. There’s less risk here as most of the work is… Read More ›
Shssssh! “A Quiet Place Part II” continues the Abbott family story on home video.
2018’s horror thriller A Quiet Place is one of the bigger surprises of 2018 not because it was actor John Krasinski’s second time in the director’s chair, but because it used the conventions of horror to tell a compelling and… Read More ›
“Hail to the Deadites” is the imperfectly perfect documentary for the imperfectly perfect “Evil Dead” series fan.
Inspiration can strike just about anywhere. Maybe it’s in the silence of doing nothing; the mind unobstructed by screens, music, or other noise becomes able to roam freely through the possibilities. Other times, inspiration comes from a question you ask… Read More ›
Crime thriller “HYDRA” may spend more time on dialogue than the fights, but each throwdown is worth the price of admission.
When it comes to a certain kind of film, audiences almost always know what they’re in for based on who’s distributing it. Arthouse drama or fantasy? The mind goes to A24. Family-friendly in live-action or animation? First thought: Walt Disney… Read More ›
“Fear Street Part 3: 1666” sticks the landing as it ends the trilogy where the core narrative began.
“I get knocked down, but I get up again. You are never gonna keep me down” – Chumbawumba The first installment in the Fear Street trilogy of Netflix films was a loving, if not sometimes heavy-handed homage to the resurgence… Read More ›
Documentarian Julien Faraut successfully preserves the incredible story of the 1964 Japanese volleyball team, even if the presentation lacks the energy the true story deserves. [North Bend Film Festival]
Storytelling is all about execution. You can have the most fascinating, compelling, edge-of-your-seat concept, but, if the execution flounders, nothing else matters. Take the story about the 1964 Olympic Games in Tokyo which saw the introduction of volleyball as an… Read More ›
Norwegian comedy “Ninjababy” blends humor and animation, illustrating the complexities of navigating an unexpected pregnancy. [North Bend Film Festival]
Mixed media films are not particularly unique in and of themselves, but, when done well, they add an element of otherworldliness or imagination to the story. The rotoscoping in Waking Life (2001) empowers the scene with Timothy “Speed” Levitch to… Read More ›
Adventurous, heartrending, and undeniably raw, “CODE NAME: Nagasaki” offers a reimagined documentary told through the language of cinema. [North Bend Film Festival]
When it comes to self-discovery, there is no one right path, no universal means for those who walk this earth to become comfortable with themselves. This is the struggle, the burden we all share, whether we’ll admit it or not…. Read More ›
Pop culture propagation and Looney Tunes nuttiness are just the tip-off for “Space Jam: A New Legacy.”
The last year or so has seen sequels to long-ago films released — Bad Boys for Life (2020), Bill & Ted Face the Music (2020) — and we’ve still got Top Gun: Maverick (2021) and Ghostbusters: Afterlife (2021) still to… Read More ›
Coming off the heat of “Part 1,” “Fear Street Part 2: 1978” cools the intensity as the middle of the trilogy.
After a strong, but not mind-blowing first installment with Fear Street Part 1: 1994 last week, Leigh Janiak and Netflix’s unique approach to a horror trilogy based on R.L. Stine’s young adult novels adapted as hard-R slashers had decent-sized shoes… Read More ›
“Peace by Chocolate” isn’t tempered to satiate an instant craving, but to preserve a legacy. [Tribeca Festival]
Immigrant stories are treated as all-to-common and extraordinary in the same breath, especially in the United States and Canada. The majority of people who live in both countries did not originate there and each possess a legacy of doing terrible… Read More ›
Despite mixed success with the action and emotional resonance of the drama, you can still see the promise within “Silat Warriors: Deed of Death.”
Though the highest grossing films in Malaysia mostly come from the international market, one shouldn’t discount the country for its own cinematic successes. There’s docudrama The Big Durian (2003), the first Malaysian film to screen at the Sundance Film Festival,… Read More ›
“Fear Street Part 1: 1994” may be a YA adaptation at its core, but that doesn’t stop it from getting buckwild.
There are some things that just work better on Netflix. For as much as some films like The Old Guard and The Midnight Sky practically beg to be seen on a big screen, the streaming giant does offer films and… Read More ›