What Remains is a film that presents itself as a detective procedural with a possible serial killer being interviewed by his psychiatrist and a detective trying to piece together the killer’s muddled and confused confessions of murder and rape. What… Read More ›
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“Godzilla x Kong: The New Empire” arrives on home video with a single message: Hail to the Kings, Baby.
Photosensitivity Warning: There are several sequences within the film (traveling to Hollow Earth; uses of breath abilities) that may prove triggering for photosensitive views. Take proper precautions before pressing play. What a time to be alive. Despite the claims that… Read More ›
“One from the Heart: Reprise” is a booby, bloated, bad masterpiece.
At the peak of the DVD/VHS era, studios would often release worse, extended, “unrated*” cuts of films with more boobs and cursing to trick a few customers into purchasing the film a second time. That’s what Francis Ford Coppola (The… Read More ›
Satirical slasher “#AMFAD: All My Friends Are Dead” takes on the shallow nature in U.S. culture. [Tribeca Film Festival]
Every story is designed to convey something. Doesn’t matter if it’s a comedy, drama, mystery, or horror tale, from the surreal to the pointed, stories possess something that they want to pass along to the audience. Some grow richer through… Read More ›
Religious thriller “Exemplum” is a good idea whose parts are stronger than the whole.
When the institution becomes bigger than the idea which spawned it, a problem forms. Ideas are free-flowing, malleable, capable of change with new information or situations. Institutions are rigid, structured, and harder to redirect once a flow is created. If… Read More ›
Writer/director Savi Gabizon remakes his own adult drama for American audiences with the Richard Gere-led “Longing.”
There are many reasons films get adapted. Sometimes it’s because a film wasn’t received well or, confusingly, because a film was received extraordinarily well. Adaptations aren’t necessarily a bad thing. Because someone sought director Roger Corman’s 1960 Little Shop of… Read More ›
On the “Night Shift,” you’ll find another home where you’re never alone.
There’s no place like home. Except in horror films, in which case, there’s no place that’s safe. Part of the tension in a good horror film is the realization that danger lurks whether you’re in a cabin in the woods… Read More ›
Jonathan Smith’s alt-love story “Guy Friends” uplifts genuine friendship and trashes toxicity.
Finding your people while growing up is pretty difficult. It can be accidental, it can be manufactured through parental involvement, but it always remains trying as you discover who you are as you collect the people you hope to keep… Read More ›
Macabre fantasy “Pandemonium” makes its streaming debut on Arrow Player, offering a mixed bag of dark delights and dreadful disappointments.
The cult cinema streaming service Arrow Player is no stranger to the grotesque, the bizarre, and the gloriously macabre, making it the perfect home for the French dark fantasy film, Pandemonium. This visceral and nightmarish flick, which made the rounds… Read More ›
A lackluster extended cut can’t reduce the impact of “The Fall Guy” as a summer blockbuster.
The cinema has entered a weird stage in its history. Movies still arrive in theaters weekly but have shorter life spans. This means certain films have a quick turnaround on the home release market. While not yet on Blu-ray or… Read More ›
Horror thriller “The Coffee Table” weaponizes intrusive thoughts and interpersonal tension to upend audiences from uncomfortable start to disquieting end.
“For want of a nail …” Requiem for a Dream (2000), The Fountain (2006), and Uncut Gems (2019) are examples of a type of film which is well-made, thoughtful, subject to acclaim, and less likely to be revisited, the latter… Read More ›
Documentary “Pitch People” shifts the spotlight from the products you see on TV to the people.
Do you recognize the following three products: the Artic Hat, the Air Hawk, and the Easy Feet? What if these were replaced with Veggetti, Shake Weight, or ShamWow? Can you picture them? Hear the sales pitch? Can you remember the… Read More ›
Lies, secrets, and murder make up a great deal of “Dune: Part Two,” available on home video now.
Author Frank Herbert reportedly got the spark for the concept of his book Dune after observing conservation attempts along the Oregon coastline, creating from this a science fiction action-adventure tale that would inspire readers for generations. Parts of this inspiration… Read More ›
“Faceless After Dark” is fury manifested on digital as it rages against parasocial relationships and the commodification of people. [Atlanta Film Festival]
Photosensitivity Warning: There are multiple sequences — some short, some prolonged — of intense strobing and glitching effects, which may trigger migraine or other neurological issues. In the age of digital media, developing parasocial relationships occurs before most even realize… Read More ›
Comic book adaptation “Madame Web” arrives on home video with bonus materials that’ll educate the fans of this Sony-run Marvel film.
It’s been stated before, but it bears reminding: expectations can ruin an experience. This is equally true when the hype ahead of something implies one thing when the truth is something very different. In the real world, it can look… Read More ›
“Crisis on Infinite Earths – Part Two” raises the stakes as the annihilation of DC’s animated TomorrowVerse continues.
Event storylines in comics are not unusual. It’s a way to take on something that doesn’t quite fit in the everyday narratives, while also providing a means of both bringing characters together and altering their trajectory. In the world of… Read More ›
Lily Rabe and Hamish Linklater revive the ‘80s in wonderfully cozy directorial debut “Downtown Owl.”
Long ago, in a time before the internet and social media, there was a world that Gen X remembers well — the ‘80s had Reagan, the AIDS epidemic, big shoulder pads, bigger hair, bold makeup, and colorful, poppy music videos… Read More ›
To “Beekeeper” or Not To “Beekeeper” is now a question you can answer anytime you want at home.
When one thinks of the filmography of actor Jason Statham, films typically feature him in one of two roles: quiet badass or loudmouth badass. He’s certainly done more with turns in Snatch (2000) and London (2005) demonstrating his versatility, but… Read More ›
Director Martin Bourboulon sticks the landing in the concluding portion of his “The Three Musketeers” adaptation – “Part II: Milady.”
As satisfying as it can be to view one whole story when you sit down to enjoy a film, there are exceptions where a second (or more) is needed to really make it satiating. Especially when it comes to adaptations,… Read More ›
What harm could a little “Hanky Panky” do?
It all starts with an idea. Then, if you’re lucky, that idea blossoms into a complete story that can then be transformed from words on a page into a fully-staged production. For all the films released in a week every… Read More ›