Truth is a matter of perspective. We know this, but we tend to forget it during the daily moments of our lives. What we see, what we hear, and how we react is all sifted through our experience, so, often,… Read More ›
Reviews
Batter up! “You Gotta Believe” adapts a true story of one little league team’s glory days amid heartache.
There are two hard lessons to learn when it comes to parenting: you only get one chance to take care of someone’s childhood and what’s a random day to you contains a critical memory for a child. Becoming a parent… Read More ›
“1992” is less wrong-place/wrong-time crime thriller and more examination of social imbalance and unconscious bias.
“When people show you who they are, believe them.” – Oprah, quoting Maya Angelou April 29th, 1992: After a seven-day deliberation, a jury acquitted the four police officers involved in the recorded beating of Rodney King, with three out of… Read More ›
Where other mafia films keep their women in silence, filmmaker Jennifer Esposito’s “Fresh Kills” screams to devastating effect.
In the cinematic world of mob films, the go-to filmmaker for U.S. audiences is likely Martin Scorsese (Goodfellas; Casino). With tales exciting and dramatic, he’s told stories that unengaged audiences will see as uplifting the morally grey areas of the… Read More ›
Explore the “Kingdom of the Planet of the Apes” via the minimal but rich bonus features included on select home editions.
1968: director Franklin J. Schaffner releases his feature-length cinematic adaptation of author Pierre Boulle’s short story, Planet of the Apes. Since then, it’s spawned five canonical films, a television show, and a Tim Burton-directed remake — not to mention countless… Read More ›
Claude Schmitz’s “The Other Laurens (L’autre Laurens)” offers a stunning visual genre mashup, but sacrifices plot for tone and style.
The Other Laurens is a movie that’s all dressed up with everywhere to go. But after it gets one foot out the door, it can’t seem to go any further. With a nostalgic neo-noir/grunge visual style that’s sprinkled with touches… Read More ›
Technically impressive, “100 Yards” pull audiences in with its thrilling conceit, but loses them with underdeveloped character investment. [Fantasia International Film Festival]
Within the world of filmmakers Xu Haofeng (The Final Master) and first-time co-director Xu Junfeng’s new project, 100 Yards (门前宝地), there are many rules its characters must follow, but one acts as a guiding principle: no violence within 100 yards… Read More ›
“The Umbrella Fairy” utilizes fantastical elements to explore real-world struggles of personal agency. [Fantasia International Film Festival]
“Forty-two,” said Deep Thought, with infinite majesty and calm.” ― Douglas Adams, The Hitchhiker’s Guide to the Galaxy Of all the questions humanity has ever asked it, of all the philosophies and faiths, there’s been a guiding question behind it… Read More ›
“The United States of Leland” will waste your time and money.
Sometimes a film ends up at a boutique Blu-ray distributor because the conditions of its theatrical run rendered it forgotten and misunderstood. Other times, it’s because the film is an odious facsimile of a good film, and it tricks a… Read More ›
Join the tornado wranglers from the safety of your own space with the “Twisters” digital release.
The world of Twisters swept up cineplexes barely one month ago. The latest disaster epic tells the story of Kate Carter (Daisy Edgar-Jones), now working as a meteorologist, when a friend from her storm-chasing past named Javi (Anthony Ramos) comes… Read More ›
Crime drama “The Bikeriders” pulls up with a worthy home release.
The phrase “style over substance” is a common complaint regarding certain films. In these instances, some films can be so aesthetically pleasing that they lose sight of the story. Such films can craft well-drawn characters and a richly detailed sense… Read More ›
All the leverage in action comedy “Kidnapping Inc.” is in the performances of the cast. [Fantasia International Film Festival]
I am not one for political movies as I don’t follow political landscapes in any way shape or form. I follow enough to understand North American landscapes, but anything past that and I am a deer in headlights when it… Read More ›
“IF” delights friends both real and imaginary with a home release packed with bonus features.
No one really knows when from where inspiration will strike. An innocuous action, a stray thought, a random observation — anything is ripe for seeding a new concept or approach. For writer/director/actor John Krasinski (A Quiet Place), inspiration for his… Read More ›
Beyond Thunderdome, beyond vengeance, lies “Furiosa: A Mad Max Saga” on home video.
Filmmaker Dr. George Miller’s been entertaining audiences for nearly 40 years, either with tales of desperation (Mad Max (1979)), tales of greed (The Witches of Eastwick (1987)), or tales of hope (Happy Feet Two (2011)), to name a few. In… Read More ›
Crime anthology “The Killers” exudes undeniable collective charm. [Fantasia International Film Festival]
Anthology stories come in all shapes and sizes. They can be horror-based, like Satanic Hispanics (2022) or Tiny Cinema (2022); offer a western twang, like The Ballad of Buster Scruggs (2018); or they can be mission-oriented, like Give Me an… Read More ›
“Oddity” firmly establishes its terrifying place in a horror-rich year. [Fantasia International Film Festival]
I do not consider myself someone who scares easily. Sure, a jump scare may get to me and make me uneasy, but it takes a lot to shake me to my utter core and have me wincing and nearly looking… Read More ›
Witness the end of the Tomorrowverse as Warner Bros. Animation’s “Crisis on Infinite Earths” concludes with “Part Three.”
Within the home release of Justice League: Crisis on Infinite Earths – Part One, the featurette “Crisis Prime(r)” lays out how just how long the plan for Crisis on Infinite Earths had been in the works, detailing that each film… Read More ›
GKIDS Films’s “The Boy and the Heron” reveals itself on home video in 4K.
In the months since the winter release of The Boy and the Heron (2023), the following events have clarified the meaning and depth of this inscrutable film in my mind: The Megalopolis (2024) trailer, the Supreme Court’s sweeping theft of… Read More ›
“The Silent Planet” tells a very human story on a very isolated space rock. [Fantasia International Film Festival]
As someone who was/is a big fan of Jeffrey St. Jules’s first feature, Bang Bang Baby (2014), I was excited, to say the least, to see that he had a new feature called The Silent Planet with a premise that… Read More ›
“Dead Dead Full Dead” slays with laughter as a genre mashup. [Fantasia International Film Festival]
Comedies are always subjective. Sometimes we discover that the films we’re used to are not as good as we thought as we get exposed to so many different cultures bringing their own unique looks and flare to films. Pratul Gaikwad’s… Read More ›