The list of films that deserve a theatrical release grows longer the further into 2020 quarantine goes. April brought the kinetic and pulse-pounding Extraction; May offered up the colorful escapism of The High Note and comedic hijinks of The Lovebirds;… Read More ›
Reviews
All your exes may live in Texas, but with the 40th anniversary of “Urban Cowboy,” you can take them anywhere.
Paramount Pictures has been busy these last few months as they’ve dropped new release after new release on their Paramount Presents line. With plenty more of those coming in July and August, Paramount’s taken a break to release a 40th… Read More ›
Dramedy “Drive Me to the End” asks you to consider how well you listen.
Imagine, for a moment, that you were forced into an extended confinement. Are you lonely or relieved? Now, instead of being on your own, you were given company. Do you feel more comfortable or more anxious? Finally, what if the… Read More ›
The world must have turned upside down because “Hamilton” is coming home via Disney+.
In case you’re coming to this unclear on what actor/playwright Lin-Manuel Miranda’s Hamilton is about, the play follows significant moments of Founding Father Alexander Hamilton’s (Miranda) life from surviving severe illness as a child; coming to American from the Caribbean;… Read More ›
Documentary “Suzi Q” forgoes cinematic flash to focus on a musical icon.
“A rocker, a brooder, a loner, a knife-carrier, a hell cat, a wild cat, a storm child, refugee from the frightened city of Detroit.” This quote from acclaimed journalist Philip Norman flashes on-screen in the opening of the Liam Firmager-directed… Read More ›
Strong performances and unique direction put you in the thick of the attack on “The Outpost.”
For roughly 12-hours in October 2009, the soldiers deployed to Combat Outpost Keating, located within a valley of the Afghanistan mountains, engaged in a firefight with Taliban fighters. Later called The Battle of Kamdesh, the engagement was deemed the bloodiest… Read More ›
Commodity, not religion, is played for laughs in satirical comedy “Faith Ba$ed.”
There’s been a strange trend of late where, one after the other, the films reviewed on EoM are trending toward satire. Additionally, each one has or will court some kind of controversy by premise alone and nothing else. A few… Read More ›
New streaming horror film “Yummy” is anything but.
What’s so wonderful about horror is that there’s truly something for everyone. Do you find yourself compelled most by fear of the unknown? Try some supernatural horror. Scared of a violent apocalypse? There are tons of zombie films at your… Read More ›
Though you may weep, be not afraid to embark on “Marona’s Fantastic Tale.”
Screened at a variety of global festivals before seeing a limited release in 2020, Anca Damian’s Marona’s Fantastic Tale (L’extraordinaire voyage de Marona) is unlike anything I’ve seen so far this year. The story itself is fairly simple: a dog,… Read More ›
Closing out the “Time Warp” documentary series, “Volume 3” looks at the area of comedy and camp.
Personally speaking, I don’t really think the concept of a “cult film” resounds in the same way today as it did pre-social media. Everyone’s tastes and needs are attended to so astutely by viral start-up studios and filmmakers shooting entire… Read More ›
LEGO & DC connect for another Shazam adventure: “Magic & Monsters.”
Chances are fairly high that, at some point in your life, you’ve either played with or watched a LEGO product. It could one of their thousands of playsets depicting everything from medieval periods or NASA shuttle launches to Gotham crime… Read More ›
Jon Stewart is back and he is “Irresistible.”
Every day the world becomes more divided than united because of collective forgetfulness. On the one side is the Radical Left seeking free healthcare for everyone, diversity, and pushing toward growth from past mistakes via responsible acknowledgement. On the other… Read More ›
There is no controversy to be found in “The Hunt.” Only assholes.
“There’s no such thing as bad publicity.” This phrase is commonly attributed to Phineas T. Barnum, the circus owner and renowned asshole. Despite what you’d believe from the wondrous and heartfelt The Greatest Showman, Barnum was more likely to take… Read More ›
Etheria Film Festival 2020 Shorts Program streaming on Shudder for a limited time.
In the art of filmmaking, short films aren’t the films you make for widespread acclaim and global distribution, but rather for the cinephiles and short-form entertainment enthusiasts that might just have the pull to get your foot in the door… Read More ›
“Mr. Jones” wonderfully captures a journalist’s perspective pre-WWII.
World War II movies are Hollywood’s chance to tell something bold, but to also provide a history lesson that audiences might not have been aware of when they were in history class. There’s been a great list of World War… Read More ›
Unabashedly forthcoming, documentary “Inmate #1: The Rise of Danny Trejo” contains a story of destruction and perpetual self-healing.
Boxer. Prisoner. Chulo. Geronimo. Navajas. Gilbert. Johnny-23. Razor Eddie. Slim. Luis. Machete. These are just a few of the names of the characters actor Danny Trejo took over his 37-year career as an actor. He’s played everything from a stereotypical… Read More ›
Get down with an old school, kid-friendly whodunnit with “Hidden Orchard Mysteries: The Case of the Air B&B Robbery.”
When most think of indie films, they think of something like The Peanut Butter Falcon, Room, or Overcomer. They think of One Cut of the Dead or Tigers Are Not Afraid. They think of It Follows or Swiss Army Man…. Read More ›
Explore silent film era superstar Buster Keaton’s world in the new Criterion release of “The Cameraman.”
Within the comedy section of the Silent Film Era of the 1900s-1920s, there are a few names which standout, escaping from not just the conversations of the educated or cinephile circles but within the zeitgeist. Actors like Charlie Chaplin, Harold… Read More ›
Sadly, it may be best to heed the title on “Warning: Do Not Play.”
Since its commodification, Asia has capitalized on the horror genre perhaps more fiercely than any other continent. From early Japanese tales of feudal terrors like Ugetsu (雨月物語), Kwaidan (怪談), and Kuroneko (藪の中の黒猫), to more modern tales of turmoil like Ringu… Read More ›
Spike Lee’s “Da 5 Bloods” beckons audiences to look deeper.
As a writer/director, Spike Lee is not one to be described as subtle. His works, whether exploring racial tensions in Do The Right Thing (1989), modern day minstrel shows and cultural appropriation in Bamboozled (2000), tackling the cycle of violence… Read More ›