There is no one way to grieve. There are certainly customs and traditions within communities and cultures, but there’s no single way in which each person is meant to process loss. With the digital age, though, the manner in which… Read More ›
In Theaters
“Old Guy” misses the mark on promises suggested by its premise and cast.
Old Guy, directed by Simon West (Lara Croft: Tomb Raider; Con Air; Expendables 2) and written by Greg Johnson (The Last Son), at least piqued my interest as an entertaining, silly, action movie with a cast that includes Lucy Liu… Read More ›
“Art Spiegelman: Disaster is My Muse” explores the magnitude of significance of Spiegelman and his graphic novel “Maus.”
When I was in university (all those years ago), I took a class that was essentially called “Understanding Comics” which explored comics as a medium — how it told stories, how it evolved, where it is now, and so on,… Read More ›
“Millers in Marriage” cranks family drama up to 11.
No matter what the subject matter at hand is, throwing it into a family dynamic automatically adds an additional level of intensity, uncomfortableness, and familiarity. Usually, the best versions of these dynamics focus on some terrible tragedy past or present… Read More ›
Daisy Ridley-led action thriller “Cleaner” smartly delivers highwire action on well-worn framework.
If there’s one thing that the movie industry knows how to do, it’s how to compare a new project to an old one. Often times, that means describing a new film as simply “Die Hard in a [blank].” Of course,… Read More ›
“The Monkey” is a blood-soaked laugh-riot.
Theo James, even when he’s good, such as in White Lotus season two (2022) or the ill-fated HBO adaption of The Time Traveler’s Wife (2022), has apparently been miscast his entire career until The Monkey (2025). Usually playing a George… Read More ›
“Captain America: Brave New World” isn’t brave at all.
I don’t need movies to save me. In a spiritual sense, one could say that they already have, but, in a literal sense, determined leaders do more for our quality of life than good art. Unfortunately, both are in short… Read More ›
Dark comedy “Timestalker” deconstructs tropes of love and romance.
As a child of the ‘90s, fantasy tales of romance have always felt like the coziest of blankets. Could it be that true love always won in the end? Or, having existed in a world filled with divorce, addiction, and… Read More ›
How can you plan “To Kill a Wolf” when foe and friend share the same traits? [SBIFF]
Trigger Warning: The narrative of To Kill a Wolf grapples with difficult topics involving sexual abuse. The two earliest written versions of the Little Red Riding Hood story come from author Charles Perrault (1697) and from The Brothers Grimm (1800s), each providing… Read More ›
“I’m Still Here” tells a narrative as relevant today as in 1970 Brazil.
Oscar hopeful I’m Still Here (2024) opens with where, when, who, and what’s it like. Rio de Janeiro, Brazil. 1970. Eunice Paiva, the wife of a retired left-wing senator is on a beach as armored personnel carriers drive down the… Read More ›
Oscar-nominated documentary “No Other Land” deserves your attention and a distributor.
Content Warning for descriptions, images, and reporting on violent scenes of oppression, police brutality, and genocide. There are special movies, and then there are films that you’ll never forget. No Other Land, an on-the-ground account of a Palestinian West Bank… Read More ›
“Love Me,” a metaphysical tale of romance Or: How I Decided to Stop Worrying and Simply Love YouTube.
Trying to make a movie that is as adult while being not-so-on-the-nose as WALL-E (2008) is certainly a daunting task, and writers/directors Sam and Andrew Zuchero (10 Crosby) not only took on this challenge in their new film Love Me,… Read More ›
“Like Father Like Son” lacks tension in its attempt to challenge its audience.
Trigger Warning: Like Father Like Son utilizes frequent use of unexpected fast cuts with visual imagery accompanied by white flashes which may disturb photosensitive viewers. What makes a killer a killer? For centuries, this question has been asked by plebs… Read More ›
Documentary “Third Act” captures self-realizations and the discovery that they run generations-deep. [Sundance]
History can only be buried for so long before the truth comes out. This relates to large revelations (the purposeful attempts to control and reduce Indigenous populations through residential schools in the U.S. and Canada) and interpersonal discoveries that wield… Read More ›
Beware the creature of the night who promises peace in “Touch Me.” [Sundance]
Trigger Warning: The narrative of Touch Me grapples with difficult topics involving sexual abuse and addiction. Additionally, there are a few brief sequences of light-strobing that might be difficult for photosensitive viewers. “And crawling on the planet’s face, some insects,… Read More ›
When the debt comes due, you’ll be singing the hymn of “The Devil and the Daylong Brothers.”
What is a soul worth? If one believes that it’s not a thing that can be manifested on its own, that comes to us naturally, or that it is a gift instilled in us by our creator, well, that’s three… Read More ›
Pedro Almodóvar’s first English language film, “The Room Next Door,” is an ode to a life lived and what comes next.
As painful as it can be for everyone involved, death is inevitable. You might be able to delay its arrival, but ultimately, death comes for all of us, and we will all leave someone behind to grieve our passing. Grieving… Read More ›
“The Colors Within” fill out the latest musical high school drama by filmmaker Naoko Yamada.
God grant me the serenity to accept the things I cannot change, courage to change the things I can, and wisdom to know the difference. – The Serenity Prayer There’s a frequently quoted adage “youth is wasted on the young.”… Read More ›
Crime drama “Eat the Night” seeks to explore real versus digital existance.
The real world is a mess. Just about everywhere you look there’s something to be despondent about, whether it’s the state of the global climate, the power grab by nationalist parties within global governments, or the general vibe of “get… Read More ›
Donnie Yen’s “The Prosecutor” receives verdicts of guilty for attempting too much and not guilty for the entertainment it provides in the process.
Like many in the Hong Kong scene, Donnie Yen has worn and continues to wear many hats. He’s been a member of a stunt team (The Miracle Fighters) and an actor (Tiger Cage; Blade II), sometimes on the same project;… Read More ›