As with previously reviewed films Giants and Toys (1958) and Irezumi (1966), Arrow Video is restoring and offering up to audiences outside of Japan another Yasuzô Masumura film: Blind Beast. Arrow Video provides an opportunity to expand what viewers may… Read More ›
In so many ways, truth is stranger than fiction. According to actor Olga Merediz (The Place Beyond the Pines) in the featurette “That Music in the Air,” playwright/actor Lin-Manuel Miranda told her that he’d begun writing songs that would appear… Read More ›
Coming of age stories come in all shapes and sizes. Sometimes they’re joyous, ridiculous tales like Weird Science (1985), dramatic like Baby, Don’t Cry (2021), or explorations of addiction and trauma like Trainspotting (1996). The story within writer/director Eoin Macken’s… Read More ›
For the last 15 years, LAIKA Studios has amused, entertained, amazed, and, in some cases, downright terrified audiences with their stop-motion animation tales that continually place children at the center, offering a chance for audiences old and young to see… Read More ›
For the last 15 years, LAIKA Studios has amused, entertained, amazed, and, in some cases, downright terrified audiences with their stop-motion animation tales that continually place children at the center, offering a chance for audiences old and young to see… Read More ›
Following up his martial arts fantasy actioner Iceman (2014), director Law Wing Cheong moves in the opposite direction with the based-on-a-true-story animal drama Little Q. The story follows a dog, named Little Q, from puppyhood to old age as it… Read More ›
Doesn’t matter the time period or culture, there’s something about food that brings people together. It doesn’t just nourish the body, it possesses the capability of nourishing the soul. The best cinematic iteration of this is the scene in Ratatouille… Read More ›
On paper, the adaptation of Michael Koryta’s 2014 novel Those Who Wish Me Dead sounds like an absolute cinematic slam dunk. It has Hell or High Water writer Taylor Sheridan as one of the screenwriters on the adaption, as well… Read More ›
I don’t think anyone would argue that times are now (March 2020 – now, August 2021) and the foreseeable future are rife with change. To have gone from a lifestyle where one could go as they pleased to having to… Read More ›
2018’s horror thriller A Quiet Place is one of the bigger surprises of 2018 not because it was actor John Krasinski’s second time in the director’s chair, but because it used the conventions of horror to tell a compelling and… Read More ›
When it comes to a certain kind of film, audiences almost always know what they’re in for based on who’s distributing it. Arthouse drama or fantasy? The mind goes to A24. Family-friendly in live-action or animation? First thought: Walt Disney… Read More ›
Though the highest grossing films in Malaysia mostly come from the international market, one shouldn’t discount the country for its own cinematic successes. There’s docudrama The Big Durian (2003), the first Malaysian film to screen at the Sundance Film Festival,… Read More ›
Saint Maud is one of my favorite films I’ve seen this year, and I think it’s a damn shame how A24 treated it by hocking it to EPIX, of all streamers, for its tiny release. It represents the best that… Read More ›
For just over a year, the Paramount Presents premiere home video label from Paramount Pictures continues to restore and release films from within their deep well of material. It began with Fatal Attraction (1987), King Creole (1958), and To Catch… Read More ›
Around Elements of Madness, story is everything. We’re not looking for giant budgets, major studios, or the biggest names; we’re looking for an interesting idea or an engaging twist on something old. Enter the Scott Thomas Reynolds-written (2nd Chance for… Read More ›
The “cinematic baggage,” as it is known, that we bring with us into each film-viewing experience always has an effect on our perception of movies, even if this sensation is unconscious. We may love a film with a greater zeal,… Read More ›
Over the last few years in America there’s been a surge of “gun fu” films: The Matrix (1999), Equilibrium (2002), all the way up to the recent John Wick series. It’s not that the combination of martial arts and weaponry… Read More ›
Shot over 20 days with the intent to premiere at the 2020 Tribeca Film Festival, writer/director BenDavid Grabinski’s genre-hybrid Happily eventually hit select theaters on March 19th, 2021, along with a simultaneous VOD and digital release. The film is difficult… Read More ›
Its 1996 and British gaming company Core Design has released action-adventure game Tomb Raider for PC, PlayStation, and Sega Saturn consoles. Centered around archeologist/adventurer Lara Croft, the title challenged gamers to solve puzzles and confront strange enemies in pursuit of… Read More ›
Welcome to Fistful of Features, a celebration of film preservation through physical media and the discussion of cinematic treasures to maintain their relevance in the cultural lexicon. Today we’ll be focusing on the directorial debut of BenDavid Grabinski, a morality… Read More ›