When one speaks of writer/actor/director Quentin Tarantino, the film in which they first meet his cinematic universe often colors how they view him and his work. If it’s his first film, Reservoir Dogs (1991), they likely speak with reverence as… Read More ›
We live in a period where the truest stories may be too hard to believe. It’s not just that conspiracy theories have received mainstream credibility, it’s that the decisions to voice and behave in the worst possible manner in public… Read More ›
If someone were asked to name a filmmaker whose had a massive impact on American cinema, writer/director John Hughes is easily one of the first to come to mind. He directed eight films, each with their own respective fandoms, almost… Read More ›
First there was Do the Right Thing (1989), then there was Bamboozled (2000), and now, for the third entry into the Criterion Collection, writer/director/actor Spike Lee’s Oscar-nominated Malcom X (1992) joins the illustrious physical format boutique distributor nearly 30 years… Read More ›
There are a number of films that felt influential to my identity during my childhood. The Goonies (1985), Lethal Weapon (1987), The Terminator (1984), Spaceballs (1987) to name a few. These are films which, even now, with their various faults,… Read More ›
Creatives don’t always have to have a large resume in order to make a big impact. Sometimes it’s what they do with the small contributions they offer that makes the difference. Such is the case with writer/actor/director Quentin Tarantino whose… Read More ›
Adaptations, in live action or animation, are the lifeblood of storytelling. We, as audiences, like to think that the magic comes from original stories, but, more often than not, that thing you love is an adaptation of a story originating… Read More ›
In 1592, Japan made its first attempt to invade Korea, leading to several skirmishes on land and at sea. As in other countries, the stories of military victories and failures have made for incredible cinematic opportunities. In 2014, director Kim… Read More ›
Jordan Peele: writer, actor, producer, director. Even before his debut directorial film, Get Out (2017), audiences had a solid sense of Peele’s creativity from any of the projects he played any part in. Now, however, with his third film in… Read More ›
The French have such a knack for absurdist comedies and horror comedies (this film being the former), that it’s hard not to almost smile ear to ear and enjoy how far out there and how ridiculously things unfold on screen…. Read More ›
Writer/director Park Hoon-jung’s The Witch: Subversion is a remarkable sci-fi thriller, taking the coming-of-age tropes we know and blending them together with supernatural-like covert forces, culminating in an adventure that feels familiar and wholly unique. Just before the film ends,… Read More ›
There are some films, some stories, which continue to find new audiences, year after year, generation after generation. They’re passed down, some as traditions, some as markers for reaching a certain age. Looking backward, there’s a notion that there’s nary… Read More ›
It would be silly to think that in the year 2022 life wouldn’t somehow become an imitation of that childhood trauma (or, for the very few, memory) of playing Monopoly and realizing you never were the one with the gazillion… Read More ›
There are movies that tend to give away entirely too much in either art, title, or even trailers. Then there are movies that do all of this all against the director’s wishes, making it hard for the audience to avoid… Read More ›
As more and more legacy sequels release due to studios mining their IPs for anything they think will resonate with audiences off the name alone, a follow-up to director Tony Scott’s Top Gun (1986) seemed all the more inevitable each… Read More ›
One of the greater mysteries in life is whether or not there’s something after the living world. It’s a question that’s been explored through faith, philosophy, and art. Depending on the community or culture you come up within, the afterlife… Read More ›
Realism is overrated. We experience it every day: the fear, the frustration, the constantly moving goal posts. Sometimes, it’s really nice to experience something so off the rails, so unrealistic, that all you can do is hold on and go… Read More ›
By 1978, writer/director Just Jaeckin was known for his erotic films Emmanuelle (1974), The Story of O (1975), and Madame Claude (1977). Seeking a break from this, Jaeckin developed romantic comedy Le dernier amant romantique (The Last Romantic Lover) with… Read More ›
Isolated creature features are far from rare or being particularly hard to produce, but when done well, they can be a paragon of simple, effective filmmaking delivering concentrated thrills. The past few years have provided moviegoers with quite a few… Read More ›
Originally titled Blazing Samurai, the Paramount Animation family film Paws of Fury: The Legend of Hank released in theaters July of 2022, an anthropomorphic take on the Mel Brooks-directed comedy classic Blazing Saddles (1974). Loaded top to bottom with star… Read More ›