The world of physical media is constantly changing and evolving, impacting the way collectors gather movies. Criterion is occasionally regarded as the benchmark of the crème of the crop for collectors, however, with them continuing to dip their toes into… Read More ›
Photosensitivity Warning: Several scenes in Scarlet may prove triggering for photosensitive viewers through the use of stylized lightning. It occurs a handful of times in the film and can often be predicted, enabling a viewer to shield oneself, but it’s… Read More ›
Before I fully look toward 2026, it’s time for the Tenth Annual Sticky List! If you’re unfamiliar with the Sticky List, these are the films which made me want to watch, rewatch, discuss, and share. While several films on my… Read More ›
After working on the script for roughly 20 years, filmmaker Paul Thomas Anderson (Punch-Drunk Love; Boogie Nights) finally cracked his vision to adapt author Thomas Pynchon’s 1990 novel Vineland and, if one’s been following the awards circuit, the resultant film,… Read More ›
The world is on fire. We’ve put out most of the literal ones, but there remain several metaphorical ones which have made those of us aware clench our sphincters quite tightly as we watch for outcomes. In times like these,… Read More ›
Two prisoners. Two different pasts. One love story that keeps them going. Set within the Brazilian military dictatorship, Héctor Babenco’s 1985 film Kiss of the Spider Woman (adapted by Leonard Schrader, based on Manuel Pieg’s 1976 novel) is about two… Read More ›
Life is like a dyad-god, both finite and infinite. Your life is finite because it ends, but Life goes on regardless of how you live yours. Few things narrow as quickly as the infinite possibilities of a newborn’s life, except… Read More ›
After taking a year off, EoM returns to cover Santa Barbara International Film Festival 2026 edition! This festival features a number of world and U.S. premieres, several of whom have ended up on my year-end favorites list. Time will tell… Read More ›
Photosensitivity Warning: The climax of the film includes an extended sequence of flashing that may prove triggering for photosensitive individuals. Take precautions. “Information devours its own content. It devours communication and the social.” – Jean Baudrillard’s Simulacra and Simulation from… Read More ›
If you’ve never seen a Jonathan Glazer film before, his second feature may be his most accessible in terms of content and execution. Birth (2004) is weird and unsettling, but not in the same ways as Under the Skin (2013)… Read More ›
When the world first stopped to hear the voice of Hind Rajab, the little girl from Gaza hiding from bullets in her family’s car, Kaouther Ben Hania was standing frozen in the airport. Now, she’s delivered a masterpiece that asks… Read More ›
Director Derek Cianfrance is a filmmaker who is near and dear to my heart. His 2013 film The Place Beyond the Pines hit me on a deep emotional level with its themes of fatherhood and legacy. Even with its heavier… Read More ›
“All my memories are movies.” – George Clooney as Jay Kelly in Jay Kelly (2025). As a child born on the cusp of 1981, I reside firmly on line between Gen X and Millennial, meaning that I can remember a… Read More ›
Cinema borrowing from folktales is a natural fit given that folktales often elevate figures or events and cinema does this innately through projection. Who wouldn’t want to see the figures or events of lore cast upon a 40-foot screen or… Read More ›
It didn’t used to feel complicated to be Jewish before October 7th, 2023, and the Israeli-Gaza Conflict began. Having grown up in a Reform Jewish household, I believed in the existence of and even the right of a Jewish state… Read More ›
There are movies you read the title for and think it’s something from Tropic Thunder (2008) (meaning a fake movie or a movie within another movie) and not something that could possibly exist. Then there are movies like Movie 43… Read More ›
Filmmaker Jim Jarmusch has built an indie career leaning into his eccentricities and mixing his artistic sensibilities. It’s how we get the zombie apocalypse comedy The Dead Don’t Die (2019), the melancholic vampiric love story Only Lovers Left Alive (2013),… Read More ›
The year was 2005, the summer was sweltering with sequels (Pirates of the Caribbean 3, X-Men 3, Mission: Impossible 3, Fast and Furious: Tokyo Drift), new superhero movies (Superman Returns), family fair (Over the Hedge, The Devil Wears Prada, Monster… Read More ›
The only feeling better for a cinephile in learning that a film you dig or never got the chance to see is getting a physical release is learning that said film that’s out of print or region locked is getting… Read More ›
When the name “Steven Seagal” is spoken in Tinseltown nowadays, it’s probably met with a few grunts and eyerolls. When the name is said among B-movie action fans, it’s probably met with a few chuckles and recanting of obscure lines… Read More ›