Welcome to Fistful of Features, a celebration of film preservation through physical media and the discussion of cinematic treasures to maintain their relevance in the cultural lexicon. Today we’ll be discussing Howard Hawks’s magnificent screwball comedy Bringing Up Baby now… Read More ›
May 2021 saw the release of a new Guy Ritchie-directed thriller, Wrath of Man, with actor Jason Statham in the lead role. It’s the first time this duo had worked together since 2005’s Revolver and both offer some of their… Read More ›
Looking back on Eddie Murphy’s career, it can be difficult to remember a time when he wasn’t a household name, when he wasn’t a gigantic draw wherever his project was being released. While there are projects that don’t connect, there… Read More ›
Welcome to Fistful of Features, a celebration of film preservation through physical media and the discussion of cinematic treasures to maintain their relevance in the cultural lexicon. Today we’ll be discussing the birth of Eddie Murphy’s rise to comedic stardom… Read More ›
Though the highest grossing films in Malaysia mostly come from the international market, one shouldn’t discount the country for its own cinematic successes. There’s docudrama The Big Durian (2003), the first Malaysian film to screen at the Sundance Film Festival,… Read More ›
Before heading to the theater or couch to watch LeBron James assemble the Looney Tunes to save his son from a rogue A.I. within the Warner Bros. server in Space Jam: A New Legacy, take a trip to 1996 when… Read More ›
The line between politics and art is often fine, if not entirely overlapped. This is most obvious in stories from Marvel Comics’s X-Men, a series exploring the ultimate minority group trying to make peace against great xenophobia. In a similar… Read More ›
Saint Maud is one of my favorite films I’ve seen this year, and I think it’s a damn shame how A24 treated it by hocking it to EPIX, of all streamers, for its tiny release. It represents the best that… Read More ›
In the opening moments of Yasuzô Masumura’s Irezumi (1966), we witness a man drug a woman, then design and ink a spider tattoo on her back. As he works on the floor, bent over her, her only reaction is to… Read More ›
Joining the long list of films receiving 4K UHD restorations is the Mel Stuart classic Willy Wonka & the Chocolate Factory as it celebrates its 50th anniversary. Of all author Roald Dahl’s books to receive adaptations, this is the one… Read More ›
When the first trailer for the Bob Odenkirk (Little Women) action thriller Nobody first landed, there was little doubt that it would be a good time, not because Odenkirk has never been the focus of such a specific piece of… Read More ›
For just over a year, the Paramount Presents premiere home video label from Paramount Pictures continues to restore and release films from within their deep well of material. It began with Fatal Attraction (1987), King Creole (1958), and To Catch… Read More ›
Welcome to Fistful of Features, a celebration of film preservation through physical media and the discussion of cinematic treasures to maintain their relevance in the cultural lexicon. Today we’ll be discussing the creative bankruptcy of John Hughes ‘90s output that… Read More ›
Martial arts films hold a special place in cinema. Whether it’s the swirling wonder of wuxia or a straight-forward bare-knuckle brawler, the Asian import captured the imagination in the 1970s – 1980s and has yet to loosen its hold on… Read More ›
June 12th, 1981, one of the most revered franchises in all of cinema history begins with the release of the Lawrence Kasdan-written (The Empire Strikes Back), Steven Spielberg-directed Raiders of the Lost Ark, later retitled to include the Indiana Jones… Read More ›
Around Elements of Madness, story is everything. We’re not looking for giant budgets, major studios, or the biggest names; we’re looking for an interesting idea or an engaging twist on something old. Enter the Scott Thomas Reynolds-written (2nd Chance for… Read More ›
In the blue corner, at a height of 394 feet, is the force of nature himself, Godzilla! In the red corner, at a height of 335 feet, is the one and only King, Kong! As all of humanity waits with… Read More ›
The “cinematic baggage,” as it is known, that we bring with us into each film-viewing experience always has an effect on our perception of movies, even if this sensation is unconscious. We may love a film with a greater zeal,… Read More ›
One of the many adjustments from the COVID-19 shutdowns is that several theatrical releases from major studios were sold/moved to streamers. NEON’s Palm Springs went to Hulu, Paramount’s Coming 2 America went to Amazon, Sony’s An American Pickle went to… Read More ›
Shot over 20 days with the intent to premiere at the 2020 Tribeca Film Festival, writer/director BenDavid Grabinski’s genre-hybrid Happily eventually hit select theaters on March 19th, 2021, along with a simultaneous VOD and digital release. The film is difficult… Read More ›