Trigger Warning: Better Man features several sequences involving flashing lights that may be troubling to photosensitive viewers and the narrative explores depression, substance abuse, and suicidal ideation that may be hard for some viewers. You may not be immediately familiar… Read More ›
The hot titles seared into my memory from 2016 include 10 Cloverfield Lane, Keanu, Everybody Wants Some!!, Kubo and the Two Strings, and The Accountant. At the time, I praised director Gavin O’Connor and writer Bill Dubuque’s film, saying it… Read More ›
Films may endure for a number of reasons. Maybe there was a stacked cast of actors in parts large and small, each making their mark. Maybe the script was highly quotable. Or maybe it was run so often on cable… Read More ›
The Wedding Banquet (2025) is one of those rare films that functions more as another swing at bat than as a remake, and returning screenwriter James Schamus (The Wedding Banquet (1993); Crouching Tiger Hidden Dragon) scores at least a double… Read More ›
In the popular children’s story Cinderella, the protagonist lives a miserable existence, mistreated by her evil stepmother and wicked stepsisters, but ultimately ends up living an enchanted life with Prince Charming, with a little help from her fairy godmother. Written… Read More ›
In a landscape of recycled IPs, a never-ending torrent of superhero fever, and films that are made for adults being shoved to the wayside, original high-concept films (strong examples being Inception (2010) and The Matrix (1999)) seem to be a… Read More ›
“What If …” is not a question reserved for Marvel Comics; rather, it’s a question that’s been asked by philosophers, scientists, and more for the bulk of humanity’s existence. Within that question lives innumerable possibilities that no amount of planning… Read More ›
Discovery itself is at risk. Last week I bought the 2-disc special edition of Sam Rami’s Drag Me to Hell (2009) at Eides Entertainment in Pittsburgh because I was scanning for Spike Lee’s Clockers (1995), and scanning titles with your… Read More ›
Clocking in at a whopping 215 minutes and being filmed in VistaVision (a high-resolution format once used for classic films such as Vertigo (1958) and The Ten Commandments (1956)), it is not hard to understand why someone would be quick… Read More ›
Christopher Nolan’s Insomnia is one of those rare thriller movies that defies convention by substituting the disquiet of night with the unrelenting brightness of an Alaskan summer — a choice that paradoxically amplifies the film’s sense of terror. The movie… Read More ›
True crime stories are nothing new in terms of being a source for adaptive works. Law & Order consistently takes their inspiration from real crime tales, as do a variety of films. The four-film deep Crime City series led by… Read More ›
What would you do to make amends with your past? For some, it means rolling up your sleeves and doing the hard work to atone; while, for others, it means living a life of abstinence. Both can be viewed as… Read More ›
Trigger Warning: Though there is no rain, there’s a great deal of lightning in the film which may impact photosensitive viewers. If you’re a person of a certain age, one only needs to hear a few notes of Danny Elfman’s… Read More ›
In the featurette “I Feel, Therefore I Am,” writer/director Drew Hancock (Fred 3: Camp Fred) talks about how sometimes, in relationships, there are those who are more invested than another. Personally, in the right circumstances, imbalance in one area can… Read More ›
R.T. Thorne’s feature-film directorial debut, 40 Acres anchors its tale of familial strife and global terror as the world teeters on the brink. Screening during The Overlook Film Festival 2025, audiences may presume 40 Acres to be a straight-forward horror-thriller… Read More ›
The key to a great slasher film, other than a great antagonist, is a situation where the stakes are high for one or both parties, an arena where both the hunter and the hunted have an equal playing field and… Read More ›
Anthologies have a long history in storytelling as they gather seemingly disparate narratives into a singular collection. In cinema, the connection between the parts can remain thematic, leaving the stories individual (The Ballad of Buster Scruggs (2018)); may be through… Read More ›
“This is the nature of war: By protecting others, you save yourselves. If you only think of yourself, you’ll only destroy yourself.” – Seven Samurai (1954) One never knows what their introduction to a filmmaker’s filmography will be. Someone could… Read More ›
Coming-of-age tales are fairly commonplace in cinema with explorations of self and sex in semi-recent films like Porky’s (1981), A Goofy Movie (1995), and The People’s Joker (2024). These stories feature young adults getting into a variety of hijinks either… Read More ›
Tracie Laymon may have arguably the year’s best feature debut. Her adapted from real life story, Bob Trevino Likes It, is masterfully crafted by its entire cast, bringing the film to emotional heights and devastating realizations, resulting in a movie… Read More ›