The slacker comedy comes in many shapes and varieties. You’ve got rom-com Mallrats (1995), straight comedy Friday (1995), dramedy Ferris Bueller’s Day Off (1986), and comedic thriller The Big Lebowski (1998). Each one uses the slackers at their center to… Read More ›
The pandemic did a lot of things to the citizens of the world in the early years, the least of which was take thousands of lives. Those who remained in those initial months and years dealt with physical isolation, financial… Read More ›
“For want of a nail …” Choices upon choices upon choices are what bring you to this review at this moment in your life. Maybe you signed up for notices when a new one publishes from EoM, maybe you follow… Read More ›
The lone wolf archetype is a figure that has lived on in many samurai and action spectacles — the man who walks alone and walks a fine line of morals and principles, fighting for the common good, and the common… Read More ›
There is something inherently special about writing and directing your first feature film, I would have to assume. Having never crossed that bridge myself, but consuming a plethora of films throughout my life, there is always something special, at least… Read More ›
If you are a fan of the horror genre, then you are probably very familiar with the name, David Dastmalchian. In the last year alone, he’s exploded off the screen in films like The Last Voyage of the Demeter, The… Read More ›
Photosensitivity Warning: The visual elements used to convey transitions appear as an anamorphic lens-like flare similar to refraction of light that may prove trigging to photosensitive individuals. Memory is greatly tied to our senses. Tastes, sights, smells, and sounds all… Read More ›
It may seem strange to describe any part of Poor Things as conventional. This bold and highly imaginative fantasy is the eighth feature film directed by Yorgos Lanthimos, a 21st-century auteur who has made a name for himself with his… Read More ›
**Disclaimer: The following home release review was written before additional allegations came out regarding a larger issue with lead actor Tak Sakaguchi, detailed in a March 3rd thread by Tom Mes. We feel it’s important to note that this is… Read More ›
How could one describe the timeless story of The Color Purple? A story about struggles, adversities, power, love and, ultimately, forgiveness? A story about a marginalized and abused woman gaining her voice and learning to enjoy life? Three women sharing… Read More ›
When collections get released, the age-old question for collectors comes down to whether you get the box set or go for singular individual releases? This beautiful collection from Warner Archive brings forth some of the best of the best from… Read More ›
Running from March 1st – 14th at Film Forum NYC, a 25-film Japanese Horror festival gives New Yorkers the chance to see Nobuhiko Obayashi’s (The Little Girl Who Conquered Time; His Motorbike, Her Island) House (1977). This Japanese blockbuster was… Read More ›
Back in October 2023, Well Go USA released director/co-writer Kim Seong-sik’s action/adventure fantasy thriller Dr. Cheon and the Lost Talisman (천박사 퇴마 연구소: 설경의 비밀) into theaters. Given the influx of theatrical and streaming releases in October, it’s fair to… Read More ›
You gotta love ‘70s Kung-Fu cinema. Within the first 15 minutes of Huang Feng’s The Shaolin Plot, a man is killed with a chicken leg, an assassination attempt is flawlessly averted, and a disobedient guest’s head is cut off by… Read More ›
It was December 16th, 2023, when I received the text “Do u want soup tonight?” to which I replied, “Yeah I can do a soup.” The dinner invitation came from fellow film buff Scott Rogers, who, along with his partner… Read More ›
If you’re not familiar with Japanese theatrical troupe Europe Kikaku, they are the talent behind 2021’s lo-fi sci-fi comedy Beyond the Infinite Two Minutes and 2023’s lo-fi sci-fi rom-com River. Both directed by Junta Yamaguchi and written by Makoto Ueda,… Read More ›
Higher. Further. Faster. Together. This is the name of the game for Marvel Studios’s 33rd release, the Nia DaCosta-directed sci-fi actioner The Marvels, as it sees Brie Larson reprise her role as Carol Danvers/Captain Marvel and being joined by WandaVision’s… Read More ›
City Lights. Metropolis. Hundreds of Beavers. From 1894 to 1931, the earliest period of moving periods is known as the Silent Era. These films, made with celluloid and glass (to help simulate color), make up a significant portion of our… Read More ›
“Sugar. Butter. Flour.” These are the first words we hear in Waitress, The Musical, the Diane Paulus-directed (Cirque du Soleil: Amaluna) stage production that adapts the 2007 Adrienne Shelly-written/directed/starred romantic comedy non-musical Waitress. These three words signify the start of… Read More ›
“Being brave doesn’t mean not being afraid. It’s being afraid and doing it anyway.” In our house, we don’t tell people not to be afraid of things. We talk about how it’s natural and that humanity has survived for generations… Read More ›