Author Archives
Founder: Elements of Madness | Past Bylines at CLTure, Pretty Vacant One, FilmFed, & Mountain Xpress | NC Film Critics Association, Southeastern Film Critics Association, & Critics Choice Association member | Rotten Tomatoes approved individual critic
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Documentary “Arrest the Midwife” chronicles the work of three midwives of New York and their targeted prosecution. [SXSW]
The things we do to women. For centuries, at least within Western societies, women are considered pillars of their communities while also being second-class (or lesser) citizens. Their rights to vote, to own property, to be more than their father’s… Read More ›
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Ben Leonberg’s “Good Boy” takes the horror tropes you know and revitalizes them via a new context that’s unpredictable and terrifying. [SXSW]
Photosensitivity Warning: Good Boy involves several night time sequences that occur during a storm, resulting in a great deal of lightning flashes. Those with light sensitivities should take precautions before viewing. Every genre has their tropes, but very few play… Read More ›
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Kahane Corn Cooperman’s “Creede U.S.A.” is a surprisingly heartfelt and hopeful documentary about the power of empathy. [SXSW]
“Empathy is about finding echoes of another person in yourself.” – Mohsin Hamid In the late 1800s, when silver was found by Nicholas C. Creede in the mountains of Southwest Colorado, the rush of people led to the boomtown known… Read More ›
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Give yourself up to Julia Max’s family horror drama feature debut “The Surrender” and become open to hard truths. [SXSW]
“What has four legs, then two, and then three?” – The Riddle of the Sphynx. Despite the machinations and designs of the rich, egocentric, and vain, each human life is finite and is designed as such. We can expand life… Read More ›
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New Eli Craig horror comedy “Clown in a Cornfield” builds a foundation of generational turnover on one statement: “Don’t f*@k with Frendo.” [SXSW]
“In every generation, there is a Chosen One …” – Buffy the Vampire Slayer (1997 – 2003) Writer/director Eli Craig is no stranger to comedic horror between 2010’s Tucker and Dale vs. Evil and 2017’s Little Evil. While the latter… Read More ›
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Narrative hybrid “Brother Verses Brother” is a life-affirming, soul-crushing, musical journey that reminds us how art can save our lives. [SXSW]
“Art can save your life … Entertainment will never be your salvation … .” – Comedian Josh Jackson. In 2020, as COVID-19 resulted in lockdowns around the world, twin siblings Ari and Ethan Gold began corresponding with their father, Herbert,… Read More ›
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Gerard Johnson’s “Odyssey” is a narrative thriller about misogyny and the real estate markets. [SXSW]
“Men are so quick to blame the gods: they say that we devise their misery. But they themselves- in their depravity- design grief greater than the griefs that fate assigns.” ― Homer, The Odyssey Pulling ones’ self up by bootstraps… Read More ›
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The McManus Brothers’s “Redux Redux” explores grief as an ouroboros through a multiversal sci-fi thriller. [SXSW]
There was a time when the concept of a multiverse was left to modern philosophy and creative writing as the idea of worlds on top of worlds separated by frequency, many like our own except for the tiniest of differences,… Read More ›
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In an era of hypernormalization, Geremy Jasper’s musical opera “O’Dessa” may just be the seed for revolution. [SXSW]
Trigger Warning: Photosensitive viewers should take precautions before viewing as they are several brief sequences and two longer sequences involving flashing lights. “… to comfort the disturbed and disturb the comfortable …” There’s a long tradition of using stories to… Read More ›
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Lanfia Wal’s feature-length directorial debut “New Jack Fury” is a mouthpiece with plenty to say. [SXSW]
“Sooner or later, everything old is new again.” – Author Stephen King There’s a cyclical nature to things in entertainment. For instance, the things that are popular to you as a child tend to come back around as an adult,… Read More ›
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“Moana 2” is a satisfactory sequel with solid bonus features worth exploring in the home release edition.
Trigger Warning: There are several sequences involving flashing lights (especially in the climax) which may be difficult for photosensitive viewers. One cannot deny the infectious nature of co-director John Musker and Ron Clements’s 2016 animated adventure Moana. Between the culturally-specific-yet-universal… Read More ›
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With “Kraven the Hunter,” Sony sets the same traps for itself in its latest and last Spider-Man Universe film.
We are gathered here, today, to acknowledge the end of the Sony’s Spider-Man Universe (SSU) with the home release of the J.C. Chandor-directed Kraven the Hunter (2024), the latest attempt of taking an absolute bastard villain and turning him into… Read More ›
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Strength and Honor: “Gladiator II” comes home on physical formats.
By 2000, actor Russell Crowe had made a name for himself in the U.S. through work in The Quick and the Dead (1994), Virtuosity (1995), L.A. Confidential (1997), and The Insider (1999). It would be his turn as Maximus Decimus… Read More ›
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“Night of the Zoopocalypse” is a scary-good midnight movie gateway for families looking to start their children on their horror journey.
One of the weird things about today’s entertainment landscape is the move away from event-programming of the cable era to the always-available aspect that streaming provides. This means that one is less likely to be channel surfing late at night,… Read More ›
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25 SXSW 2025 films that spark my curiosity.
For the fifth year in a row, Elements of Madness will officially be covering SXSW and this time I’m covering it solo! Excited as I am, I thought I’d put together a list of the films I’m hoping to cover… Read More ›
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Co-directors Yōko Kuno and Nobuhiro Yamashita’s compelling fantasy dramedy “Ghost Cat Anzu” arrives on home video with a barebones edition.
Published from 2006 – 2007, manga creator Imashiro Takashi’s series Bakeneko Anzu-chan followed a ghost cat, a bakeneko type of kaibyō (a cat with supernatural properties), and its relationship with the people who lived in the town surrounding the temple… Read More ›
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Largely-forgotten low-budget experimental martial arts actioner “Furious” receives a collectible SD edition via Visual Vengeance.
While action has been a staple element of cinema since its creation, not all films which use action are viewed the same. For some reason, the bigger the budget, the larger the presumption that the film is good or “of… Read More ›
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Sci-fi dramedy “O Horizon” seeks to examine what analog grief looks like in a digital space. [SBIFF]
There is no one way to grieve. There are certainly customs and traditions within communities and cultures, but there’s no single way in which each person is meant to process loss. With the digital age, though, the manner in which… Read More ›
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Daisy Ridley-led action thriller “Cleaner” smartly delivers highwire action on well-worn framework.
If there’s one thing that the movie industry knows how to do, it’s how to compare a new project to an old one. Often times, that means describing a new film as simply “Die Hard in a [blank].” Of course,… Read More ›
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You’ve waited 20 years for “Constantine” in 4K UHD. What’s another 20 seconds?
Angela Dodson: Well, this has been real educational, but … I don’t believe in the devil. John Constantine: You should. He believes in you. – Constantine (2005) Unlike now, comic book adaptations used to be far less prevalent and didn’t… Read More ›