Author Archives
Founder: Elements of Madness | Past Bylines at CLTure, Pretty Vacant One, FilmFed, & Mountain Xpress | NC Film Critics Association, Southeastern Film Critics Association, & Critics Choice Association member | Rotten Tomatoes approved individual critic
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“Psycho Therapy: The Shallow Tale of a Writer Who Decided to Write about a Serial Killer” lays its comedy well among its perceived tragedies.
Pretentiousness is a matter of perspective. What one person may find authoritative and compelling may be viewed as utter hogwash by another, and usually it has to do with the way one views the person or art at the center…. Read More ›
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Documentary “The Spirit of Halloweentown” seeks to investigate the relationship between the real St. Helens and its inhabitants separate from its cinematic connection. [The Overlook Film Festival]
Since debuting in 1998, Disney’s Halloweentown has spawned a total of four films and at least one marriage (co-stars Kimberly J. Brown and Daniel Kountz of Halloweentown II: Kalabar’s Revenge). It’s developed quite the fanbase since the original Halloweentown, turning… Read More ›
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Drew Hancock’s “Companion” is a rom-com for the modern era.
In the featurette “I Feel, Therefore I Am,” writer/director Drew Hancock (Fred 3: Camp Fred) talks about how sometimes, in relationships, there are those who are more invested than another. Personally, in the right circumstances, imbalance in one area can… Read More ›
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“Best Wishes to All” leaves many thematic dark corners for audiences to stare into. [The Overlook Film Festival]
“Only the pursuit of happiness is guaranteed. The rest is up to you.” – David Fagan While there are things that are specific to culture, community, or time, other things are universal, like the overwhelming dread experienced by the young… Read More ›
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“William Tell” translates the heroic myth into a by-the-numbers historical fiction.
Content Warning for implied sexual assault. In the subgenre of historical epics, there are those based on real events (Lawrence of Arabia (1962); Rob Roy (1995)) and those inspired by legend (Excalibur (1981); Robin Hood: Prince of Thieves (1991)). In… Read More ›
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Capsule Review: R.T. Thorne’s “40 Acres.” [The Overlook Film Festival]
R.T. Thorne’s feature-film directorial debut, 40 Acres anchors its tale of familial strife and global terror as the world teeters on the brink. Screening during The Overlook Film Festival 2025, audiences may presume 40 Acres to be a straight-forward horror-thriller… Read More ›
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Hong Kong cinema homage “Love Hurts” arrives on physical formats, bringing its production secrets with it.
It’s a tale as old as time. Actor gets work with not one, but multiple top-tier directors, and then finds themselves struggling to get work. Most times, those actors fade into obscurity if they can’t pivot. One such actor, Ke… Read More ›
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Buddy comedy “One of Them Days” is sparse on bonus materials for the home release, but not on laughs.
During the featurette “Dream Team,” first-time feature director Lawrence Lamont (Rap Sh!t) describes to producer Issa Rae (Insecure; The Lovebirds) the homages within One of Them Days, referring to both Friday (1995) and Superbad (2007). Each of these comes from… Read More ›
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Anna Boden and Ryan Fleck’s “Freaky Tales” mythologizes the Oakland Bay area through a punk rock & hip-hop infused anthology.
Anthologies have a long history in storytelling as they gather seemingly disparate narratives into a singular collection. In cinema, the connection between the parts can remain thematic, leaving the stories individual (The Ballad of Buster Scruggs (2018)); may be through… Read More ›
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GKIDS Films re-releases Mamoru Hosoda’s “Summer Wars” on home video as they kick off their Hosoda Collection coverage.
“This is the nature of war: By protecting others, you save yourselves. If you only think of yourself, you’ll only destroy yourself.” – Seven Samurai (1954) One never knows what their introduction to a filmmaker’s filmography will be. Someone could… Read More ›
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18 Overlook Film Festival 2025 films to get your fright on.
For the third year in a row, Elements of Madness will officially be covering The Overlook Film Festival and, as the sole member of the team “attending,” I thought I’d offer up a few recommendations of what to check out… Read More ›
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“She’s the He” turns the bathroom panic in today’s political landscape into a hilarious and heartfelt coming-of-age sex comedy. [SXSW]
Coming-of-age tales are fairly commonplace in cinema with explorations of self and sex in semi-recent films like Porky’s (1981), A Goofy Movie (1995), and The People’s Joker (2024). These stories feature young adults getting into a variety of hijinks either… Read More ›
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“Tommy Boy” retains its quality comedy 30 years later in 4K UHD and you can take the butcher’s word for it.
“If at first you don’t succeed, lower your standards.” – Tommy Boy tagline For Generation Xers and Millennials, Saturday Night Live had a pretty strong grip on our popular culture experience in the ‘90s. Through various cast members (original and… Read More ›
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88 Films offers Lau Kar-Leung’s action comedy “The Lady is the Boss” for a first-time U.S. release.
Actor, writer, director Lau Kar-Leung is a staple of the Shaw Brothers Studio as evidenced by projects like The 36th Chamber of Shaolin (1978), The Shadow Boxing (1979), The 8 Diagram Pole Fighter (1984), and Disciples of the 36th Chamber… Read More ›
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Dark comedy creature feature “Mermaid” is an ode to Florida Man. [SXSW]
Perfect people make for boring stories. The outcomes are expected because there’s no drama, no challenge, no antagonist. Imperfect people, however, are not only more interesting, they’re more accessible. So much so that it doesn’t matter how shitty their behavior,… Read More ›
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You could bring the horror of possession tale “Devils Stay” home or ….. not.
A staple of cinema is the horror story: possession, corruption, soul-trading. You name it and horror is going to give it to you. For his first feature film, writer/director Hyun Moon-seop utilizes the well-worn path of demon possession in his… Read More ›
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Yana Alliata’s “Reeling” is less a family drama about memory and more a commentary on ableist society and their expectations. [SXSW]
Memory is a fragile thing. Between the limits of personal perspective, the preference of protecting one’s sense of self, and time, memories shift and change until they solidify in our minds in the version that best serves us. But what… Read More ›
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Sci-fi thriller “Ash” struggles to rise above its composite of source materials. [SXSW]
When it comes to narrative mysteries, truth and reality are all a matter of perception. Some things can be argued or compromised on, others are indisputable, but they are all a matter of perception. It’s in this vein that multihyphenate… Read More ›
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The home release of disjointed “Wolf Man” brings enjoyable special features.
In another reality, modern audiences would be elbow-deep in the modern monsterverse Universal Pictures dubbed the “Dark Universe,” which kicked off with the release of 2017’s The Mummy. It was all in place with cast and concept, but the failed… Read More ›
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Charlie Chaplin’s progressive romantic drama “A Woman of Paris” is his ninth title to enter The Criterion Collection.
Left to leave her hometown without her partner, a woman moves toward a major city center, finds herself a rich lover who allows her to enjoy the finer things in life, until two things occur requiring her to reconsider her… Read More ›