Author Archives
My escape has been a movie theatre for as long as I can quite frankly remember. My dad swears by the fact that I saw Aladdin in theatres (despite it being in theatres 13 months before I was born, but hey movie magic I guess?). Growing up I was incredibly fortunate to have a projector room in my childhood home with surround sound where I would spend my formative years, watching absolutely anything I could get my eyes on. There was never a movie that I didn't at least try to watch, as being young only certain things captured my attention. I would get lost in that room for hours, sometimes even days. As well I lived down the street from my local multiplex so anytime a new movie would come out whether it be the newest superhero movie, James Bond movie, Scary Movie or anything that captured my interest I was there Friday at 5pm seeing the newest thing and if it was good, most likely revisiting with friends that weekend. I grew up in front of the silver screen, graduated University from the film studies program, and have been writing for numerous publications for the past decade. I look forward to continuing to write, explore new films, and indulge in all the offerings the movies have to bring to us. As Vin Diesel said in the welcome back advertisement, "For more than a hundred years there's one place where we all came together to be entertained, to escape, to escape, to go somewhere new -- the movies"
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“Re-Creation” poses a judicial what-if of a well-known cold case. [Tribeca]
I am not going to pretend that the name Sophie Toscan du Plantier means anything to me outside of the context of the film as I do not follow famous deaths or cold cases. However, maybe if I was older… Read More ›
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Charles Williams’s “Inside” examines a messy family-like dynamic within a high security prison. [Tribeca]
There is something inherently interesting and thought-provoking from Charles Williams’s first time feature, Inside (not to be confused with the Willem Dafoe movie from a few years back), but the longform execution of this seems to be where it slightly… Read More ›
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“Horsegirls” prances into your heart and lands each aspect of its mashed genres of comedy and drama. [Tribeca]
Writer and director Lauren Meyering swings for the fences with a difficult yet captivating story that is surely going to resonate with certain viewers, certain parents, and make for a compelling career moving forward in the feature industry with her… Read More ›
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“A Tree Fell in the Woods” blends realism with surrealism in an examination of perception. [Tribeca]
When writing a comedy about couples where everything and anything can go wrong, there is a lot of territory that has already been covered. Entries into the genre consistently feel like they’re beating a dead horse. Trying to find something… Read More ›
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Comedy thriller “Birthright” leaves you laughing hysterically in the darkest of corners. [Tribeca]
If you’re a fan of the most insane over-the-top, completely plausible, uncomfortable comedies of all time, then Zoe Pepper is a name to look out for and her newest feature, Birthright, is an absolute must-see. While the film is not… Read More ›
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“Lemonade Blessing” will have you doing spit takes both cringe and comical. [Tribeca]
Without having ever met or talked to writer/director Chris Merola (The Stall), I think it’s fair to say and even assume that the inspiration behind Lemonade Blessing may have come from an episode of The Simpsons. This isn’t a dig… Read More ›
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Steven Soderbergh’s ghost story “Presence” is absent special features on its home release.
I first saw Presence at TIFF back in September 2024 and have already provided my spoiler-free thoughts. With that being said, this home review of Steven Soderbergh’s film is going to be incredibly spoiler heavy, talking about the film in… Read More ›
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Breck Eisner’s “The Crazies” comes knocking on your door in a 4K steelbook with extras.
When someone, anyone, adapts a George A. Romero film, there is usually a deep amount of worry and concern because remaking something that a master has already done effortlessly and perfectly is never an easy task. While screenwriters Scott Kosar… Read More ›
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Arrow Video brings all the blood and gore of “Jason Goes to Hell” to 4K UHD.
If you’re a completist then you most likely have seen Jason Goes to Hell, the ninth movie in the Friday the 13th franchise. It’s arguably not a *good* movie but is absolutely delightful, taking the series of films in a… Read More ›
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“Sister Midnight” loses itself amidst a glut of messaging and genre-bending. [BUFF]
Writer/director Karan Kandhari (Bye Bye Miss Goodnight) presents audiences with Sister Midnight, a dark comedy (slightly akin to Nightbitch (2024) while also being incredibly different) about the situations that arise from arranged marriages and what happens when you’re just not… Read More ›
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“The Surfer” rides a wave that only Lorcan Finnegan and Nicolas Cage can shred.
When one sits down to watch a Nicolas Cage, movie there is a certain expectation and mood that is set. You know you’re in for a ride of potentially ridiculous proportions that is simply insane or you’re getting a performance… Read More ›
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“Pale Rider” riding into 4K UHD completes the Clint Eastwood three-film remaster from Warner Bros. Pictures.
Clint Eastwood has always been on-point with his direction and performances, so, while I say that Pale Rider (1985) wasn’t as engaging as The Outlaw Josey Wales, it is not to say that either are lacking, because they’re not. I’m… Read More ›
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Warner Brothers delivers “The Outlaw Josey Wales” in 4K with two new special features.
The Outlaw Josey Wales (1976) is one of Clint Eastwood’s earlier directed films and is now being released for the first time in 4K by Warner Brothers. The gorgeous transfer presented in this home release will astound audiences who are… Read More ›
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“Fréwaka” leaves a chill in your spine long after its end. [BUFF]
Compared to horror films with other themes, those focused on lore, especially folklore, evoke a different emotional knee-jerk reaction from their audiences with their eerie tales keeping the uneasy viewers interested and engaged. This is where Aislinn Clarke strives in… Read More ›
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Emilie Blichfeldt’s “The Ugly Stepsister” puts traditional Grimm-level horrors on the big screen in a familiar and twisted tale. [BUFF]
Trigger Warning: Be advised that The Ugly Stepsister includes significant elements of body torture and body-related horror. I am not going to sit back and pretend I am an expert on all things fairy tale related, as that is a… Read More ›
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“Escape from the 21st Century” is a fun hyper-stylized time travel film. [BUFF]
Content advisory: strobing/strobing effects Time travel movies are so incredibly hit or miss simply because everyone tries to either recreate Back to the Future (1985) or make their own mark on the ever-loaded when at the core the film, at… Read More ›



