Author Archives
My escape has been a movie theatre for as long as I can quite frankly remember. My dad swears by the fact that I saw Aladdin in theatres (despite it being in theatres 13 months before I was born, but hey movie magic I guess?). Growing up I was incredibly fortunate to have a projector room in my childhood home with surround sound where I would spend my formative years, watching absolutely anything I could get my eyes on. There was never a movie that I didn't at least try to watch, as being young only certain things captured my attention. I would get lost in that room for hours, sometimes even days. As well I lived down the street from my local multiplex so anytime a new movie would come out whether it be the newest superhero movie, James Bond movie, Scary Movie or anything that captured my interest I was there Friday at 5pm seeing the newest thing and if it was good, most likely revisiting with friends that weekend. I grew up in front of the silver screen, graduated University from the film studies program, and have been writing for numerous publications for the past decade. I look forward to continuing to write, explore new films, and indulge in all the offerings the movies have to bring to us. As Vin Diesel said in the welcome back advertisement, "For more than a hundred years there's one place where we all came together to be entertained, to escape, to escape, to go somewhere new -- the movies"
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“The Silent Planet” tells a very human story on a very isolated space rock. [Fantasia International Film Festival]
As someone who was/is a big fan of Jeffrey St. Jules’s first feature, Bang Bang Baby (2014), I was excited, to say the least, to see that he had a new feature called The Silent Planet with a premise that… Read More ›
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“Dead Dead Full Dead” slays with laughter as a genre mashup. [Fantasia International Film Festival]
Comedies are always subjective. Sometimes we discover that the films we’re used to are not as good as we thought as we get exposed to so many different cultures bringing their own unique looks and flare to films. Pratul Gaikwad’s… Read More ›
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“The Dead Thing” is pitch-perfect horror set in the world of online dating. [Fantasia International Film Festival]
The dating scene has always been rather bleak. This is not news. With the creation of “dating” apps, the odds of meeting someone this way and it working were always slim and bleak. I haven’t had to be out there… Read More ›
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“The Man from U.N.C.L.E.” delivers the goods in this Arrow Video 4K restoration.
There are movies out there that don’t get their fair shake, and there are directors who fall under the same category. What happens when you end up with both? You get, arguably, a fantastic movie that somehow underperformed and is… Read More ›
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“Chainsaws Were Singing” falls short on its promise but is well worth the price of admission. [Fantasia International Film Festival]
When a movie is pitched as “The Texas Chain Saw Massacre (1974) meets Monty Python and the Holy Grail (1975) meets Les Misérables (2012),” there is something that immediately grabs my attention because a musical that is zany and over-the-top… Read More ›
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“Mash Ville” takes on many meanings in a confluence of stories around a moonshine business. [Fantasia International Film Festival]
Having never seen Hwang Wook’s previous movies (Dog Eat Dog; Live Hard), I did not know what to expect when watching the latest, Mash Ville, and what was delivered was a combination of some of the zaniest wackiest things ever… Read More ›
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“Vulcanizadora” delivers on its promise to those who dare to tread past the point of no return. [Fantasia International Film Festival]
A slow burn — something that either turns out great or, on occasion, as something audiences despise and generally hate in films. There is no real winning ground when it comes to films as there are things about traditional movies… Read More ›
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You won’t regret getting your hands on this 4K release of “The Guyver.”
There are so many ridiculous movies out there that have been unseen and undiscovered until a boutique label comes and rights those wrongs. Thankfully, the folks at Unearthed Classics are giving the genre-bending monster mash of a movie, The Guyver… Read More ›
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Hailing this cab gets you the best version of 1976’s “Taxi Driver” yet.
Are you reading me? Well, I’m the only review here, so you must be reading me. That’s right this review is going to jump into Martin Scorsese’s universally loved Taxi Driver (1976). While it is important to state this 100… Read More ›
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The Criterion Collection captures those “Perfect Days” in its 4K UHD release.
Perfect Days (2023) is the title of Wim Wender’s (Paris, Texas) newest film, which has entered the illustrious Criterion Collection, but, at the same time, it almost perfectly describes the ambiance and sentiments of the movie, as well. Perfection is… Read More ›
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“The Boys in the Boat” steered clear of any special features on this Blu-ray home release.
It’s really hard to be a physical media advocate and supporter, and I know how that sentence sounds. We’re a dying breed of collectors, but we still exist and wanting the crème of the crop is becoming harder and harder… Read More ›
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Great Knights of Columbus, the “Anchorman: The Legend of Ron Burgundy” 4K UHD release is bursting with manly bonus features.
If you don’t get your hands on the 4K of one of the greatest comedies about a team of newscasters to be released in the twentieth century, then I am afraid to report you might be trapped in a glass… Read More ›
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Short film “A Family Guide to Hunting” bags its prize with its talent on and off screen. [Tribeca Film Festival]
There is nothing more encouraging than someone wanting to introduce you to their family, especially when you’re dating. Now, that is not to say that is the premise to Zao Wang’s (Full Moon Club) short A Family Guide to Hunting,… Read More ›
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Know what you’re getting into before you say “America, F&%k yeah!” to a first-time 4K UHD anniversary edition of “Team America: World Police.”
I am not going to pretend I understand how licensing works, because I simply don’t. It would be an incredibly silly thing to pretend I know a singular thing about how movie licensing works and why X licenses out to… Read More ›
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“Daddio” plays things a little too daily life to actively engage the audience.
There are so many movies that come to mind that do the (mostly) single location idea and manage to execute it with varied results: Saw (2004), The Boys in the Band (1970 or 2004), Locke (2013), The Terminal (2004), to… Read More ›
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Strong performances never give the game away in dramatic thriller “The Weekend.” [Tribeca Film Festival]
We’ve seen nearly every iteration of meeting one’s parents that could possibly exist from Meet the Parents (2000) to Ready or Not (2019) and Get Out (2017), so when audiences get another family-gathering thriller, they typically know what they’re getting… Read More ›



