There’s a constant argument between generations about who had it worse vs. who had it better. The “always on” digital generation may scoff at the concept of their predecessors’ reliance on books for information, while the analog generation derides their… Read More ›
Month: May 2019
Writer/director Jason B. Kohl’s feature debut “New Money” is an indictment of prescription culture.
Debut features are more than a coming out, they often represent the clearest version of the individual. In the case of directors, debuts provide the most honest interpretation of how the director views the world. In the case of Jason… Read More ›
Flavio Alves’ “The Garden Left Behind” is an authentic, yet flutctuating debut.
Having a transgender protagonist is something that hasn’t been explored much to in Hollywood movies, but Flavio Alves’s directorial debut, The Garden Left Behind, is an organic and interesting way of capturing an individual who feels misplaced and misguided. The… Read More ›
Brian De Palma’s “Domino” is an underwhelming effort from the acclaimed director.
On the surface, legendary director Brian de Palma’s latest project, Domino, looks like it has solid potential to be a successful under-the-radar crime drama. With a cast including Nikolaj Coster-Waldeau and Carice van Houten of Game of Thrones fame, as… Read More ›
“Isn’t It Romantic” lampoons rom-coms and owns every minute of it.
Before you can lampoon something, before you can satirize something, you must know as much can you can about it. You have to know the ins-and-outs of it, the heart and soul of it. In order for the humor to… Read More ›
Watch: Meet Me at the Movies, Show 341
EoM Founder Douglas Davidson returns as a guest on fellow NCFCA member Noel T. Manning’s Meet Me at the Movies. Though they entered with a long list of content, they enjoyed discussing the new potential Batman, the 20th Anniversary of The Phantom Menace, Rocketman, and John Wick:… Read More ›
Elton John biopic “Rocketman” is an extraordinary musical journey of the soul.
Biopics are tricky. Just ask 2019 Oscar winning films Green Book and Bohemian Rhapsody. For the former, the issue is telling the tale of a Black musician through the lens of his White companion. For the latter, the writers reconstructed… Read More ›
Tragicomedy “Funny Story” offers career-redefining performances from leads Matthew Glave and Emily Bett Rickards.
Intentions always come down to perception. Doesn’t matter how well you intended something to be, how an action or word is received almost always carries more weight. The destructive and rejuvenative power of intent is explored in a surprisingly deep… Read More ›
Despite some drawbacks, “Ladies in Black” is a charming and airy comedic drama.
Book adaptations are tricky beasts. Take the Game of Thrones series. Beloved by fans, readers, and television watchers alike, the finale season is drawing ire for a perceived underdevelopment of one of the lead characters. In the books by George… Read More ›
Bone-crunching crime drama “Avengement” breaks expectations by defying conventions.
One of the biggest travesties during the annual Oscars celebration is the continued disregard for stunt work. Sure, studios and talent will rave about the incredible, death-defying work that Tom Cruise attempts in the latest Mission: Impossible film and franchises… Read More ›
“Big Brother” delivers heart, kicks, and kicks to the heart.
Real life can be a crushing, soul-sucking experience. Even in the best of circumstances, hardships can come from anywhere, putting the best and worst of us all on equal footing in an uncertain word. As cynicism becomes status quo, reminders… Read More ›
There’s only one thing to say about “John Wick: Chapter Three – Parabellum”: Welcome Back, Mr. Wick.
For audiences, the blood-soaked tale of melancholic assassin John Wick (Keanu Reeves) has been told over the last five years. For the character, his adventures have been an on-going nightmare for only a few weeks. In that time, he’s suffered… Read More ›
“Extracurricular Activities” is a surprisingly smart and funny dark romp.
A good dark comedy can be a blessing in disguise. It’s a way for an audience to embrace and enjoy the darker sides of themselves vicariously through the terrible acts of others. Even better, since it’s all imaginary, who cares… Read More ›
Inconvenience turns to opportunity in the musical “Stuck”.
In 2008, writer Riley Thomas premiered his musical Stuck at the La Costa Theatre in Chicago, Illinois. From there, it moved to off-Broadway in 2012 before being commissioned as a film in 2016. With screenings taking place at festivals as… Read More ›
“Just Say Goodbye” tackles suicidal ideation with brave honesty.
Depression lies. It whispers in our ears, penetrating our minds, until it resides in our hearts, turning all that’s good into ash. It tells us the worst we can imagine and removes all hope, convincing us that the world might… Read More ›
“The LEGO Movie 2: The Second Part” is super cool amazing on home video.
If you didn’t catch The LEGO Movie 2: The Second Part when it was in theaters and you want to remain unspoiled about whether you should or should not see it, then check out the spoiler-free review of the film… Read More ›
“Charlie Says” challenges audiences to reconsider what they know of the Manson Family.
Simply hearing the name “Charles Manson” is enough to send a chill down the spine of most people even somewhat familiar with this disturbingly vile and despicable figure. Known as the infamous cult leader responsible for the deaths of nine… Read More ›
After every “Storm” comes a chance at a new beginning. [Tribeca Film Festival]
There’s a notion that bigger is always better. Creators of short films disprove this notion every day. The latest is Storm by writer/director Will Kindrick, currently screening in the short program section “Down to Earth” in 2019’s Tribeca Film Festival…. Read More ›
Documentary “Cradle of Champions” puts you right in the mix without a cornerman to guide you.
Developed with obvious love for boxing, director Bartle Bull’s Cradle of Champions shifts between feeling like an absolute first feature and the work of a seasoned pro. It’s the way Bull frames his subjects – three fighters competing in New… Read More ›
“Room for Rent” doesn’t deliver on the scares or the fun audiences want.
Let’s talk horror of the modern age. With the huge success of studio darlings like It, Us, and Halloween, as well as smaller, artsier films like Hereditary, The Witch, and It Comes at Night, there is a big discussion of… Read More ›