Why do once-beloved directors fall out of favor with the public, even when they feel that they have grown as artists? Welcome back to Blockbuster Bets, an Elements of Madness series exploring one of 2024’s biggest stories: the directors, established… Read More ›
Will Patton
“Janet Planet” is a slow burn encapsulating that warm, languid feeling of coming-of-age in summer.
Humanity exists in cycles. We’re born, we propagate, and we die — with luck, improving things for the next generation before we go. In between are a multitude of steps and phases leading toward one stage and away from another…. Read More ›
The Criterion Collection welcomes a seventh Martin Scorsese production with a 4K UHD edition of “After Hours.”
Martin Scorsese is one of the more prolific filmmakers in modern cinema. He’s a writer (Goodfellas (1990); The Age of Innocence (1993)), actor (Cannonball (1976); Shark Tale (2004)), producer (Clockers (1995); Uncut Gems (2019)), a supporter of world cinema and… Read More ›
“Halloween Ends” where it begins: at home.
The time it takes between a story being told and the expectations skyrocketing for the continuation is in the moment between the final shot and the credits. The audience, feeling excited, fulfilled, or otherwise moved by the tale they’ve experienced… Read More ›
“Halloween Ends” explores the changing shape of evil as it closes out David Gordon Green’s “Halloween” trilogy.
It all began in 1978 on Halloween Night for Laurie Strode (Jamie Lee Curtis) as she survived an attack by Michael Myers (Nick Castle), though her friends were not so lucky. This story, co-written by Debra Hill and John Carpenter… Read More ›
Before it all ends, relive the night “Halloween Kills” on home video.
Evil dies tonight! Evil dies tonight! This is the chant started by Tommy Doyle (Anthony Michael Hall) as he rallies together the scared townspeople of Haddonfield to take the fight to serial killer Michael Myers (Airon Armstrong/Nick Castle/James Jude Courtney)…. Read More ›
“Halloween Kills” turns its attention from Laurie Strode to Haddonfield with mixed results.
The Boogeyman. The Shape. Michael Myers. Whatever name you call him, wherever he goes, death follows. Just as simple as that. But what’s left in his wake besides dead bodies? In Halloween (2018), director/writer David Gordon Green and cowriters Jeff… Read More ›
“Minari” is a no-frills tale of a family pursuing the American dream.
Of the many decisions made for the 93rd Academy Awards, the shift away from running clips of films seemed like the most bizarre according to vocal viewers online. Whether it was for technical awards or the top six, not running… Read More ›
Don’t sign up for this “Boarding School” experience.
The discomfort we find in sleeping in unfamiliar environments is utterly naturalistic. Without familiar smells, shapes, or sounds, the unknown deepens, opening our psyche up to terrors that make our skin crawl as a means of self-preservation. This alone would… Read More ›