Coming of age stories come in all shapes and sizes. Sometimes they’re joyous, ridiculous tales like Weird Science (1985), dramatic like Baby, Don’t Cry (2021), or explorations of addiction and trauma like Trainspotting (1996). The story within writer/director Eoin Macken’s… Read More ›
Following up his martial arts fantasy actioner Iceman (2014), director Law Wing Cheong moves in the opposite direction with the based-on-a-true-story animal drama Little Q. The story follows a dog, named Little Q, from puppyhood to old age as it… Read More ›
Doesn’t matter the time period or culture, there’s something about food that brings people together. It doesn’t just nourish the body, it possesses the capability of nourishing the soul. The best cinematic iteration of this is the scene in Ratatouille… Read More ›
Director Jacky Lee’s The Fatal Raid first released in Hong Kong September 2019 before releasing in other overseas locations, but never released in the United States. Thanks to Well Go USA, not only do American audiences have the chance to check… Read More ›
Which would you rather do: the hard right thing or the easy wrong thing? A decision like this is simple when the stakes are low, like what’s for dinner: cooking it yourself when you have all the ingredients but are… Read More ›
What defines “personhood”? This is a complex question that gets debated quite a bit, specifically in regard to pre-birth healthcare. Is it from the moment of cell division, the presence of a heartbeat, or the moment a life reaches prime… Read More ›
In the long history of animals in cinema, we’ve been given films that go from the silly (Doctor Dolittle (1967)), the adventurous (The Call of the Wild (2020)), to the heartrending (Marley & Me (2008)). Joining the lengthy history of… Read More ›
Maybe it’s because we’ve completed both available seasons of anime Food Wars (viewer discretion advised), but Well Go USA’s announcement of the home release of director Tony Leung Ka Fai’s comedic drama Midnight Diner sounds like the kind of savory delight that will… Read More ›
When it comes to a certain kind of film, audiences almost always know what they’re in for based on who’s distributing it. Arthouse drama or fantasy? The mind goes to A24. Family-friendly in live-action or animation? First thought: Walt Disney… Read More ›
Among the many upcoming releases Asian cinema distributor Well Go USA has lined up, their latest one – crime thriller Hydra – looks to be particularly wild in terms of stunt work. Graciously, they sent EoM two (2) Blu-ray copies that… Read More ›
Though the highest grossing films in Malaysia mostly come from the international market, one shouldn’t discount the country for its own cinematic successes. There’s docudrama The Big Durian (2003), the first Malaysian film to screen at the Sundance Film Festival,… Read More ›
After streaming exclusively on martial arts streaming service Hi-YAH!, Malaysian martial arts film Silat Warriors: Dead of Death is set for home release on July 6th. Thanks to film distributor Well Go USA, EoM has two (2) Blu-ray copies to give… Read More ›
Over the last few years in America there’s been a surge of “gun fu” films: The Matrix (1999), Equilibrium (2002), all the way up to the recent John Wick series. It’s not that the combination of martial arts and weaponry… Read More ›
Returning to the director’s seat for the second time, Hong Won-chan trades murder most foul within the blue collar arena for the underbelly of Asia and Southeast Asia in Deliver Us From Evil (다만 악에서 구하소서). In a film that’s… Read More ›
From Well Go USA, the distributor that brought you such films as The Villainess, Synchronic, The Swordsman, and Better Days, comes the action thriller Deliver Us From Evil from director Hong Won-chan. Ahead of its May 25th home release, the wonderful folks at Well… Read More ›
Tak Sakaguchi was a street fighter when writer/director Ryûhei Kitamura hired him to play Prisoner KSC2-303 in Versus (2000). Since then, Sakaguchi developed quite the resume as a live actor, voice actor, and stunt coordinator in films large and small. Now… Read More ›
Consider the logline for Choi Jae-hoon’s feature film directorial debut The Swordsman (Geom-gaek) for a moment: a blinded swordsman comes out of hiding when his daughter is kidnapped by slave traders. With this type of description, one would presume a… Read More ›
Originally slated for February 7th, 2020, the second-part of the Fengshen Cinematic Universe went into stasis until a brief theatrical rollout in October 2020. Now, though, nearly a year after it was to hit cinemaplexes, Jiang Ziya (also known as… Read More ›
Ahead of The Swordsman‘s home release on February 16th, EoM has partnered with Well Go USA to offer up a Blu-ray copy of the film to two lucky winners! If you’ve enjoyed their prior releases like The Villainess (2017), Furie (2019), or Shadow (2019),… Read More ›
The road to release has been a long one for Jiang Ziya as the theatrical release was pushed in early 2020 until a brief window was offered in October 2020. Now, however, everyone can enjoy the second installment of the “Fengshen… Read More ›