Dunkirk. Hacksaw Ridge. Saving Private Ryan. The Thin Red Line. All Quiet on the Western Front. Each of these films found a provocative way to tell a war story. Whether it’s the tickticktick of Hans Zimmer’s Dunkirk score accompanying overlapping… Read More ›
Director Melina Matouskas’s directorial debut, Queen & Slim, is a devastating drama about a couple thrust into the spotlight after a traffic stop gone wrong. At least, that’s one way to read it. Another way is that the screenplay from… Read More ›
The moment the clock hits midnight on the last day of October, the speed with which Halloween is tossed in the bin and Christmas pops up is enough to disorient. It shouldn’t surprise anyone that the first major studio Christmas… Read More ›
If you’re a child of the ‘80s, there’s one car that pops into your mind the moment you think about the era; a vehicle made famous by Robert Zemeckis’s Back to the Future series and infamous throughout automotive history. The… Read More ›
When it comes to the Fast & Furious films, the first thing you do is check your brain at the door. These aren’t films for intellectuals, but are pure popcorn-munching, adrenaline-fueled action spectaculars where the men and women are fierce… Read More ›
Summer may not officially kick off until June 21st, but the movies hitting theaters don’t know that. June brings with it films small (actor Seth Green’s directorial feature debut Changeland) and large (Men in Black: International), each competing for your… Read More ›
All art walks a line between reality and intention. This is made more complicated when the reality and intention the artist puts forth conflicts with that of the receivers. In many ways, the artist themselves becomes unimportant in comparison to… Read More ›
The Buckeye State is known for many things. Sports fans know Ohio as the home of the Cincinnati Reds and the Bengals. Foodies come for LaRosa’s pizza, Skyline Chili, and Graeter’s Ice Cream. Music lovers jam to the sounds of… Read More ›
February is becoming a strange month. Like January, February tends to be a dumping ground for films not likely to find an audience or for films leaning into Hallmark’s notion of love. While some aspects of this remain true (markets… Read More ›
M. Night Shyamalan erupted onto the scene with 1999’s The Sixth Sense and has a string of semi-hits and full-on flops ever sense. For many, Shyamalan’s signature “twist” ending is a parody of what it once was because it has… Read More ›
Beware Crimson Peak. These are wise words for a movie that begins with the line, “ghosts are real. This much I know.” With dialogue like this, it must be October, with the spook-factor high in the cinemas as the tortured… Read More ›