“Oh, and I don’t know I don’t know what he’s after But he’s so beautiful Such a beautiful disaster And if I could hold on Through the tears and the laughter Would it be beautiful Or just a beautiful disaster?”… Read More ›
Slamdance Film Festival
Co-directors Jacob Hatley and Tom Vickers cinema verité doc “Clovers” explores the notion of self-determinism within the citizens of Asheboro, NC. [Slamdance]
In 2024, filmmaker Jacob Hatley released crime drama Rowdy Friends, a tale featuring a mixture of professional and non-actors set in rural North Carolina. This film centered J.D. Cranford playing a version of himself after he left prison and went… Read More ›
“The Old Man and the Parrot” intermingles comedy and drama in a story of love and loss that may just soothe the soul. [Slamdance]
There are many ways to process grief. Some of them are beneficial, accompanied by a sense of healing and the ability to move on from the pain and loss, while others are like an anchor, prohibiting one from moving on… Read More ›
Road trip dramedy “BRB” beautifully captures the struggle of forging one’s identity online and IRL. [Slamdance]
“In this farewell There’s no blood, there’s no alibi ‘Cause I’ve drawn regret From the truth of a thousand lies…” – “What I’ve Done” by Linkin Park from the 2007 album Minutes to Midnight There’s a joke floating around the… Read More ›
13 Slamdance Film Festival 2026 films to prioritize.
After missing the 2025 edition, EoM returns to cover the Slamdance Film Festival in 2026! The festivals not long, but there are some extraordinary titles taking part. In an effort to narrow our own plans, here’s a short-list of 12… Read More ›
Wrestling doc “The Death Tour” is more than about heels, faces, or even the pop – but why the audience matters. [Slamdance Film Festival]
In the United States, names like World Wrestling Entertainment (WWE), World Championship Wrestling (WCW), Assault Championship Wrestling (ACW), and All Elite Wrestling (AEW) may come to mind when bringing up sports entertainment. But wrestling isn’t a U.S.-based sport, with countries… Read More ›
Filmmaker Omar Kamara explores the rich complexity of sibling relationships in dramedy “African Giants.” [Slamdance Film Festival]
“If I have seen further, it is by standing on the shoulders of giants.” – Sir Isaac Newton With all of the discussion of borders — who’s securing them, who’s refusing to do so, what do we do with the… Read More ›
First-time documentarian Ryan Jacobi explores the man behind the improv character in “I’m ‘George Lucas’: A Connor Ratliff Story.” [Slamdance Film Festival]
Before there was The Mandalorian (2019-??), Andor (2022), The Book of Boba Fett (2021), or Ashoka (2023), before there was either a Prequel or Sequel Trilogy, there was only Star Wars (1977), The Empire Strikes Back (1980), and Return of… Read More ›
Don’t miss out on Rasheed Stephens’s best day of his life in the mixed-format dramedy “All I’ve Got & Then Some.” [Slamdance Film Festival]
“Best Day of My Life!” When asked how he’s doing by friends, colleagues in the comedy realm, passengers in his latest pick-up, and everyone in between, Rasheed Stephens (himself) replies with the same answer: “Best day of my life.” It’s… Read More ›
A Conversation with “I’m ‘George Lucas’: A Connor Ratliff Story” director Ryan Jacobi and producer Patrick Cotnoir. [Slamdance Film Festival]
EoM Senior Interviewer Thomas Manning recently spoke with some of the team behind the documentary I’m ‘George Lucas’: A Connor Ratliff Story, which premiered at the 2024 Slamdance Film Festival. Director Ryan Jacobi and producer Patrick Cotnoir discuss their doc’s… Read More ›
Filmmaker Rafael Toledo is set to make an explosive impression with his short film “Blockbuster.” [Slamdance Film Festival]
In an era where it seems like most major studio releases are one giant computer-generated sequence after another, there’s something desirable about watching a film with practical effects. Realism is overrated when there’s something tangible before us, even if it… Read More ›
Filmmaker Pete Ohs’s satirical comedy “Love and Work” utilizes laughter as a gateway for much-needed introspection. [Slamdance Film Festival]
Exacerbated by a variety of global conditions due to COVID-19, the United States is now a society in which working is the prime directive. Not creating art, not engaging with cultures or communities beyond ourselves, just working in order to… Read More ›
Filmmaker Daniel Robbins’s new doc “Citizen Weiner” encourages audiences to make the change they want to see in their local government. [Slamdance Film Festival]
In the ‘80s, there was a trend of films that built up their own cliché — the rag tag group of kids going up against the big city conglomerate, usually to save a community center. Do keep in mind that,… Read More ›
The cinéma vérité approach of documentary “Sweetheart Deal” results in profound surprise, investment, and disgust. [Slamdance Film Festival]
Content Warning: The documentary explores drug use and addiction and the narrative involves sexual assault. For at least 10 years, Laughn Elliott Doescher presided over Seattle, Washington, living in an RV and providing support of various kinds of the sex… Read More ›
“The Underbug“ sparks conversations that will last long past the 68-minute runtime. [Slamdance Film Festival]
The COVID pandemic has forever changed the landscape of our world, effecting everything from religion and politics to visits to the local grocer. During the early days there was an overwhelming sense of dread due to the unseen force that… Read More ›
Documentary “imperfect” may wear its namesake title well, but it’s still a fantastic step forward in shifting wider public perception. [Slamdance Film Festival]
Accessibility is the thing most take for granted. The whole entire world is designed for people without disabilities and, due to such rigidity, found itself stumbling to create the kind of necessary tools and improve access (telecommuting, remote services, increased… Read More ›
A Conversation with “imperfect” co-directors Regan Linton and Brian Malone.
In this interview, EoM contributor Thomas Manning speaks with Regan Linton and Brian Malone, co-directors of the new documentary imperfect, which premieres at the 2022 Slamdance Film Festival. During their conversation, Linton and Malone speak of the importance of representation… Read More ›
Heather Young’s “Murmur” Explores Aging, Addiction, and Animal-Human Connection. [Slamdance Film Festival]
Heather Young’s Murmur (2019) explores aging, addiction, loneliness, and the emotional pull of the animal-connection, through one woman’s experience while working in an animal shelter for court-mandated community service. This first full-length feature film directed by Young (Fish) won the… Read More ›
Awkward anti-comedy “Tapeworm” checks all the boxes for quirky indie flick. [Slamdance Film Festival]
The Slamdance Film Festival, which runs at the same time and in the same city as the more widely known Sundance Film Festival, gives new and aspiring filmmakers the chance to showcase their work in front of other industry professionals…. Read More ›