Despite all intents and purposes, director Valdimar Jóhannsson’s Lamb is not a horror film. Not in any kind of traditional sense. On the surface, it’s barely unsettling and this is both a benefit and a detriment to its overall reception…. Read More ›
Coming of age stories come in all shapes and sizes. Sometimes they’re joyous, ridiculous tales like Weird Science (1985), dramatic like Baby, Don’t Cry (2021), or explorations of addiction and trauma like Trainspotting (1996). The story within writer/director Eoin Macken’s… Read More ›