Photosensitivity Warning: There is a brief sequence of strobing that may trigger migraine or other neuro reactions from sensitive viewers. Be advised that it’s well into the film and occurs only once in the back half of the adventure. Less… Read More ›
Noah Segan
“Brick” is duck soup for Kino Lober to release in 4K.
Long before Knives Out (2019) and Poker Face (2023 – ?), Rian Johnson was starting his whodunnits by showing us the dead body. Brick (2005) has a new release out from Kino Lober, and, surprising no one ever, the compositions… Read More ›
Noah Segan’s directorial debut “Blood Relatives” explores the taboo subject of the reluctant parent via the metaphor of vampirism.
Parenthood changes you. It’s not for everyone and there’s good reason for people wanting to avoid it ever happening to them, but, for those who do become parents (by birth, by adoption, however), there’s a palatable shift in how one… Read More ›
Writer/director Rian Johnson’s “Looper” celebrates its 10th anniversary with a 4K UHD release.
10 years ago, writer/director Rian Johnson wasn’t known as the divisive director of Star Wars: The Last Jedi (2017), he was a still new entity with only two features under his belt: Brick (2005) and The Brothers Bloom (2008). Then… Read More ›
Want to get weird? Check out horror-western “The Pale Door.” Just beware that you may find Hell on the other side.
You may not be familiar with the genre term “Weird Western,” but chances are you’ve seen one. The term refers to the combination of a typical western setting in combination with something more atypical of the period. Think Kathyrn Bigelow’s… Read More ›
“Knives Out” is more than a whodunit. It’s the most fun you’ll have at the cinema.
There’s been a lot of trash tossed around on writer/director Rian Johnson since his Star Wars film hit theaters in 2017. It’s wonderful that audiences feel such ownership for a film series, but there comes a point where the community… Read More ›
Semi-autobiographical drama “MDMA” demonstrates first-time director Angie Wang’s promise.
Autobiographical films can be a difficult nut to crack. Spend too much time with the minutiae, the audience can grow bored. Spend too little time, however, the audience has nothing to latch onto. There’s a delicate sweet spot wherein the… Read More ›