Photosensitivity Warning: Several scenes in Scarlet may prove triggering for photosensitive viewers through the use of stylized lightning. It occurs a handful of times in the film and can often be predicted, enabling a viewer to shield oneself, but it’s… Read More ›
2025 is a wonderful year to be an animation fan. In addition to various individual titles hitting the festival circuit like All You Need is Kill, ChaO, Space Cadet, and Arco, there’re also full-fledged festivals like Animation is Film and… Read More ›
“This is the nature of war: By protecting others, you save yourselves. If you only think of yourself, you’ll only destroy yourself.” – Seven Samurai (1954) One never knows what their introduction to a filmmaker’s filmography will be. Someone could… Read More ›
After hitting the festival circuit in 2021, writer/director Mamoru Hosoda’s musical drama BELLE landed in select U.S. theaters in January of 2022 and then shelves the following April. Both times, my reviews of the film lauded the look and sound… Read More ›
One can never really predict what we’ll discover with art — what emotions, what memories, what reactions will be triggered through an artist’s work. When I first learned of writer/director Mamoru Hosoda’s BELLE, I presumed, like most, that it would… Read More ›
In a career spanning over 20 years, writer/director Mamoru Hosoda has cultivated a filmography of works which communicate to the general masses (Digimon: The Movie (2000)) and to a specific niche audience (Summer Wars (2009); Mirai (2018)). Full disclosure: Mirai… Read More ›