The Wedding Banquet (2025) is one of those rare films that functions more as another swing at bat than as a remake, and returning screenwriter James Schamus (The Wedding Banquet (1993); Crouching Tiger Hidden Dragon) scores at least a double… Read More ›
Discovery itself is at risk. Last week I bought the 2-disc special edition of Sam Rami’s Drag Me to Hell (2009) at Eides Entertainment in Pittsburgh because I was scanning for Spike Lee’s Clockers (1995), and scanning titles with your… Read More ›
EoM Senior Interviewer Thomas Manning recently attended the Nashville Film Festival on behalf of Meet Me at the Movies and sat down with director Morrisa Maltz to discuss her film Jazzy. Starring Jasmine Bearkiller Shangreaux as herself, Jazzy is a… Read More ›
Lily Gladstone portrays Mollie Burkhart in Killers of the Flower Moon, and today on Open Dialogue, she speaks with Thomas Manning about the impact of community, the film’s wardrobe design, and why cinema like this is important for understanding native… Read More ›
Lily Gladstone (Killers of the Flower Moon, Certain Women) has had quite a year. She’s the front-runner for the Best Actress Oscar for her performance in a Martin Scorsese (Taxi Driver, Hugo) film. She was marching with her union SAG-AFTRA… Read More ›
There are the stories we tell and then there are the stories beneath them. These are sometimes stated outright, bubbling to the surface, unable to be contained, while others are told via pieces of dialogue or in the negative spaces… Read More ›
Today on Open Dialogue Thomas Manning interviews Julie O’Keefe, Lead Osage Costume Consultant, for Martin Scorsese’s Killers of the Flower Moon. Clips are used by permission for interview, educational and commentary purposes. Thomas is a member of the Critics Choice… Read More ›
Killers of the Flower Moon is an achievement in cinema. Respectful, relentless, and remarkably paced, the film sees the 80-year-old master filmmaker, “Maestro Scorsese” as younger filmmakers call Martin Scorsese (The Wolf of Wall Street, Goodfellas), prove himself to be… Read More ›
The Unknown Country is a noisy film. A small, internal road drama steeped in cinema verité, it mixes score with the noise of the real world — overlapping voices, clinking dishes, the radio that refuses to shut up. Radio has… Read More ›
Short films don’t get the wider credit that they should get. Anyone can make a short film and post it on YouTube, hoping someone will find it and love it, but short films have an advantage where most Hollywood/studio released… Read More ›