Some would say that horror is having a moment — Obsession and Backrooms are both doing quite well with general audiences (as of the time of this writing), other high-quality works (I Saw The TV Glow; And Her Body Was… Read More ›
LGBTQA+
Writer/director Pierre Creton’s “A Prince (Un prince)” utilizes an observatory documentary-like approach that disconnects the audience from his coming-of-age tale. [New York Film Festival]
When we think of coming-of-age tales, there are certain staples that come to mind: youth, love, introspection, heartbreak, and maybe a little absolution. Writer/director Pierre Creton (A Beautiful Summer (Le bel été)) disregards almost all of these in his recent… Read More ›
“Toll (Pedágio)” explores the cost of individual actions and societal pressures. [Toronto International Film Festival]
Life has grown far more absurd in reality than any other satire could possibly conceive. We have states where the governor actively lobbies for (and signed into law) a reduction in the age to work so that adolescents and teenagers… Read More ›