There’s an old saying, “Time heals all wounds,” which implies that one becomes whole again after a period of restoration. This isn’t the case, though, really. As was reminded to me recently, wounds heal, you’re just not as you once… Read More ›
Josephine Decker
Deceptively cutting and mesmerizingly mad, director Josephine Decker loses no momentum in her second feature “Shirley.”
Director Josephine Decker’s feature debut Madeline’s Madeline (2018), a tale centered on a young woman whose grip with reality slowly weakens as she finds her imagination being made real, continues to entrap my mind. The film itself is an experimental… Read More ›
“Madeline’s Madeline” can be found at the crossroads of identity and madness.
Reality is a fickle thing. It requires the individual to trust that the world they engage with is the truth. Undeniably, what defines “truth” and “reality” is subjective due to perception. If perception is muddled, warped, or otherwise hindered, then… Read More ›