With the release of The Gray Man on Netflix, your Cine-Men hosts, Darryl and Douglas, decided to go through the deep Netflix catalogue to identify three of their favorite Netflix Originals. Despite common conception, this task proved harder than anticipated. In… Read More ›
There’s a subgenre in film that features a very simple and comfortable setup: retired/reclusive individual meets a young individual, forms a bond (often reluctantly), young individual gets into trouble (usually kidnapped) causing the retired/reclusive individual to jump back into action…. Read More ›
After a release in 2021, first-time feature director Shinzô Katayama’s (Mother, third assistant director) horror/thriller Missing (さがす) is having its North American premiere during Fantasia International Film Festival 2021. The concept of the film seeks to join the likes of… Read More ›
Actor/writer/producer Don Lee, also known as Ma Dong-seok, has been making movies since 2005. He’s had roles in The Good the Bad the Weird (2008), Mother Vengeance (2012), a scene-stealing role in Train to Busan (2016), and, of course, the… Read More ›
One of the oldest storytelling conveyances is the oral tradition. Before we could write or read, we spoke and the sounds we made transfixed audiences, transporting them to times before their present. With the advent of the written-word, one might… Read More ›
There have been many films conceived, shot, and released since COVID-19 quarantines more or less stopped the world. Some of them put the virus front-and-center (The End of Us), while others used the period as an opportunity to tell a… Read More ›
Folklore is easily the earliest form of storytelling we have. Some folklore is intended to serve as lessons in morality or ethics, designed to push a people into certain behaviors, while others are merely stories passed down through the generations… Read More ›
It is not the destiny of every artist to be known beyond the reaches of their imagination. It’s a sad truth that sometimes, well past an artist’s prime or even after their life has ended, is when someone’s catalogue of… Read More ›
In 2017, writer/director Shin’ichirô Ueda released unto the world One Cut of the Dead, his adaptation of Ryoichi Wada’s play “Ghost in the Box!”. If you haven’t seen the film, it’s an absolute marvel that’s an inventive lo-fi zombie film… Read More ›
For the third year in a row, Elements of Madness will be remotely covering the Fantasia International Film Festival. In the run-up to the event, we wanted to highlight 16 films screening during the festival that we’re either most excited… Read More ›