One of film’s unique narrative strengths is the camera’s ability to manipulate perspective. A movie can put us behind the mask of a serial killer on Halloween or on the tip of a shark’s nose just before it attacks. Point-of-view… Read More ›
Every day the world becomes more divided than united because of collective forgetfulness. On the one side is the Radical Left seeking free healthcare for everyone, diversity, and pushing toward growth from past mistakes via responsible acknowledgement. On the other… Read More ›
Mirrah Foulkes’s “Judy & Punch” is a brilliant dark meta-comedy exploring the accepted horrors of the patriarchy.
In recent memory, there are few films that have made me quite as angry as Mirrah Foulkes’s feature-length directorial debut Judy & Punch. Debuting at Sundance in 2019 before a long theatrical release, the film itself is a brilliant dark… Read More ›
Feature debuts are a chance for any filmmaker to make an impression and to present audiences with a viewpoint perhaps unseen before. Folks, Christian Papierniak’s rock-infused dramedy Izzy Gets the F*ck Across Town does all that and a little more…. Read More ›
Columbus, writer/director Kogonda’s directorial debut, is a masterwork of spatial and auditory control, suggesting a talent of much greater experience behind the camera. Kogonda fills every frame with visual wonder in a serene film that serves as a meditative tale… Read More ›
Some stories take time to be told properly. They require cultivation and care. They require patience. In the case of Menashe, it took director Joshua Z Weinstein seven years to develop this a quiet, family-focused story centered on a widowed… Read More ›