When we think of Bob Dylan, we often reflect on his profound impact on music, culture, and politics. Over the decades, he’s transcended the role of a mere musician, becoming a cultural icon whose voice and influence have defined multiple… Read More ›
Bob Dylan
“A Complete Unknown” fails to define the undefinable.
Director James Mangold does not make bad movies. He makes good movies (The Wolverine; Indiana Jones and the Dial of Destiny) and great movies (Ford V. Ferrari; Copland; Logan). He’s a class-act craftsman but he’s no revolutionary, and neither is… Read More ›
Criterion releases the most complete collection of Sam Peckinpah’s “Pat Garrett & Billy the Kid” with three high-definition cuts in one package.
Like all things in this world, your perspective is going to define how to come to or respond to something. In cinema, this is especially true as there are often multiple versions of the very film you like. Not just… Read More ›
Geller and Goldfine’s documentary “Hallelujah: Leonard Cohen, A Journey, A Song” is a study on art and appropriation.
When an artist creates something, they retain little control over what happens next. It could be received warmly, coolly, or not at all. In some instances, it can be taken, reformed, and found in its new incarnation. In recent memory,… Read More ›