Director Jane Campion’s (The Piano) latest project is an adaptation of author Thomas Savage’s 1967 novel The Power of the Dog. Her film, a taunt western-drama, chronicles the intersecting lives of two families across several months in Montana 1925. Each… Read More ›
Ari Wegner
The minimalism in indie drama “Stray” is both its greatest strength and weakness.
Writer/director Dustin Feneley’s feature film debut, Stray, is a bold swing. An exercise in minimalism, the dialogue is scant, pans are few, scoring is largely absent, and narrative points are inferred more than directly stated. Aspects of this does translate… Read More ›