One of the weird things about today’s entertainment landscape is the move away from event-programming of the cable era to the always-available aspect that streaming provides. This means that one is less likely to be channel surfing late at night,… Read More ›
If there’s one thing that the movie industry knows how to do, it’s how to compare a new project to an old one. Often times, that means describing a new film as simply “Die Hard in a [blank].” Of course,… Read More ›
Benoît Delhomme’s directorial debut Mothers’ Instinct (2024), a remake of Olivier Masset-Depasse’s French-language thriller of the same name (2018), feels like it was born out of a cinephile’s (or actor-phile’s) dreamboard. Oscar-winners Jessica Chastain (It: Chapter Two) and Anne Hathaway… Read More ›
The End We Start From is the rare conventional “we’ve seen this before” genre film that edges ahead of its competition by way of its unconventional dedication to reality. It also squanders that edge in the name of reaching some… Read More ›