Filmmaker Andrew de Burgh seems to have questions of the human existence on his mind. In his debut feature, The Bestowal (2018), a suicidal man sits with Death, debating life, the universe, and everything. In his follow-up, The Seductress from… Read More ›
Andrew de Burgh
Sophomore project “The Seductress from Hell” frustrates in the muddled delivery of good ideas for the sake of bloodletting.
In any career, it’s often about who you know as much as it is what you know. Sure, you can find an entry position somewhere and work your way up, but that method isn’t as secure as it was a… Read More ›
Andrew de Burgh’s “The Bestowal” is a journey of self–reflection through the examination of humanity.
When most films are focused on action, there’s something to be said for a film more interested in dialogue over everything else. A stripped down, bare bones, minimalistic tale where the audience sits and listens as ideas are presented and… Read More ›