Few films have shaken me quite like Harold Trompetero’s Dark Blood has. Uncut Gems (2019) left me vibrating from anxiety; If Anything Happens I Love You (2020) left me stunned, silently crying over the credits; Violet (2021) left me raw,… Read More ›
Before The Revenant (2017), before Birdman or (The Unexpected Virtue of Ignorance) (2014), before Biutiful (2010), and before 21 Grams (2003), writer/director Alejandro Iñárritu made his feature debut with 2000’s hard-hitting Amores perros, a title translated to English as “Love’s… Read More ›