The Yeti feels like a lost midnight movie discovered in a vault and somehow rebuilt for modern audiences without losing any of the raw, unpredictable energy that made grindhouse creature features so memorable in the first place. It plays like… Read More ›
“Victims; aren’t we all?” – Eric Draven (Brandon Lee) in The Crow (1990) The beauty and horror of life is that there’re many different ways to look at a situation. Because of this, whether it’s a massive life event or… Read More ›
Death is the inevitable end we’re all going to experience at some point. If you’re lucky, you will live to an old age and have the opportunity to live a longer and more fulfilling life. But with old age comes… Read More ›
If you were to take The Shining (1980) and replace the psychosis with a completely different trip of mental anguish, then you’d get Eugeino Mira’s The Birthday (2004). It focuses on Norman (Corey Feldman) who’s hopelessly in love with his… Read More ›
Having *never* seen Tobe Hooper’s adaptation of Stephen King’s Salem’s Lot (1979) prior to the Arrow 4K UHD release, I was surprised to notice that disk 1 (disk A) featured the miniseries versus the movie itself, so I changed disks… Read More ›
Trigger Warning: The subject matter within Dead Deer High centers on the aftermath of a school shooting. While a great deal of care is given to ensuring little feels melodramatic, the material may still be difficult for sensitive viewers. As… Read More ›
Every generation needs a stoner comedy that is so outlandishly insane and dumb yet brilliant that it stands the test of time by being ridiculous and entertaining. The early 2000s had both Dude, Where’s My Car? (2000) and Harold and… Read More ›
Everything you have in this life is because of where you started. Some people have a leg up by being born into a wealthy family (and can afford to get bailed out time and again), while others struggle to afford… Read More ›
Martial arts fans have it so good right now; it’s truly incredible. With deals being made to restore and re-print various titles out of Hong Kong, what was once hard to find (Hard Boiled) and barely accessible on HD (Rumble… Read More ›
There’re plenty of ideas and concepts that are intriguing and thought provoking in Mallory’s Ghost, having its world premiere in the Competition section of SXSW Film & TV Festival 2026, but not all of them land. Nick Canellakis (Talent Has… Read More ›
Despite all the arguments for America First ideology as a way to preserve the United States with the ideology formed on a basis of Christian Nationalism, it’s a belief system that cannot stand in the wake of actual data and… Read More ›
The logline for Sinner Supper Club gives a rough idea for the movie. It’s “an improvised gay mumblecore ghost story shot on an iPhone in six days,” and I think that prepares audiences for exactly what they’re getting themselves into…. Read More ›
Heritage is a strong example of how found-footage filmmaking can still feel fresh when handled with restraint and intention. From its opening moments, the film carries a quiet confidence that immediately recalls the tonal playbook of the Coen Brothers, not in… Read More ›
Crash Land can easily be pitched as Jackass with a ton of heart, but that shorthand barely scratches the surface of what makes the film resonate. Beneath its chaotic, stunt-driven exterior lies a surprisingly tender coming-of-age story that uses absurdity,… Read More ›
With two Gen Z female leads, the archetypes of Mean Girls (2004), similar plot points as The Craft (1996), and is not as sexually driven as Jennifer’s Body (2009), Forbidden Fruits is a powder keg ready to explode in epic… Read More ›
The directing team known as Radio Silence, Matt Bettinelli-Olpin and Tyler Gillett, have established themselves over the years as an assured hand in the horror space. From their contribution to the 2012 anthology series V/H/S to revitalizing the Scream series… Read More ›
When you’re raised in a musical theatre loving family, you often are served a delicious buffet of Broadway talent. From the classic tunes of Rodgers and Hammerstein (Oklahoma!) to the ‘80s stylings of Andrew Lloyd Webber (The Phantom of the… Read More ›
Trigger Warning: Agitator contains sequences of graphic violence and sexual assault that may be difficult for sensitive viewers. It’s a rather tall order to not expect a yakuza film with title Agitator to not … well, agitate you. But such… Read More ›
Have you ever watched It’s Always Sunny in Philadelphia and wondered to yourself what would happen to the gang if they didn’t have each other? Well, if you have, and your particular interest laid with what would happen to Sweet… Read More ›
There are movies that try to bend reality and change the way we see the world, and director Oliver Bernsen (Connective Tissue) and writer Henry Bernsen (When We Get to Heaven) certainly try to hammer down that misconception and what… Read More ›