With new movies coming available nearly every day, it’s nigh impossible to see everything. Where technology saves audiences the world over is in the unprecedented access that streaming offers through on-demand or digital services to films the audience might otherwise… Read More ›
Reviews
Foster and Fanning bring “Galveston” to life.
More often than not, the best stories are the ones that take risks, that play with convention, and defy expectations. Other times, the risks fail to pay off and leave the audience with a diminishing sense of fulfillment. So rarely… Read More ›
Charming neo-Western romp “The Old Man & the Gun” offers a grand old time. [Film Fest 919 Review]
Representing EoM as press, contributor Hunter Heilman attended the first annual Film Fest 919 in Raleigh, NC, to review several films that are either in limited release now or are yet to be released. Or, in the case of The Old… Read More ›
Eco-thriller “Strange Nature” terrifies in all the wrong ways.
Whatever aspect of the film industry you’re in, you’re in because you love it. It could be the creation of creatures, the set design, or the costumes that lured you in or maybe it’s crafting the stories performed, being the… Read More ›
“Camp Manna” is a solid addition to the pantheon of camp comedies.
Camp is a place of awakenings, a place of self-discovery through challenges physical and emotional. It’s where individuals have a chance to explore or even redefine themselves. Many of these journeys have been memorialized in film through favorites Meatballs, The… Read More ›
More than a remake, “A Star Is Born” sings its own tune.
At a key moment in A Star Is Born, Bobby Maine (Sam Elliott) says that “music is essentially 12 notes between any octave.” He explains that music is a cycle of repetition every musician, every storyteller, utilizes over and over,… Read More ›
Brutal & harrowing, “22 July” explores the violence perpetrated within a single afternoon. [Film Fest 919 Review]
Representing EoM as press, contributor Hunter Heilman attended the first annual Film Fest 919 in Raleigh, NC, to review several films that are either in limited release now or are yet to be released. This review of 22 July is merely… Read More ›
Director Damien Chazelle’s “First Man” explores the man behind the legend.
There’s something undeniably alluring about space. The way it feels both intimately close and desperately far; in range of our eyes, yet out from our hands. To quest beyond our atmosphere, to journey into the deep black, to discover what… Read More ›
“Knuckleball” is a pitch you won’t see coming.
Ever wondered what the 1990 classic Home Alone would’ve been like if it weren’t a kids’ movie? That seems to be the starting point for director Michael Peterson’s thriller Knuckleball, which sees a clever 12-year-old stave off the murderous advances… Read More ›
Director Jenni Gold’s “CinemAbility: The Art of Inclusion” examines the complex nature of disabled representation.
Without question, there’s something about storytelling that connects with audiences in a visceral way. A good story, no matter the medium, enables readers, listeners, or viewers to go on journeys of incredible fantasy or to observe moments of historical, even… Read More ›
Character-driven drama “Poor Boy” is a good idea with countless missed potential.
Some ideas sounds better on paper than they do in execution. In one character study, a devoted boyfriend discovers his girlfriend is cheating on him (The Room), whereas in a genre-mashup space western, a warrior monk and a farm boy… Read More ›
“Morning, Noon & Night” examines the selected view of normalizing addictions.
Not all stories possess a grand meaning or purpose, no matter how well staged or acted. Not all stories need to be. Sometimes it’s enough to present a story in which the audience observes the choices they make and, in… Read More ›
“Science Fair”: Love the Players and the Game.
Competition is thrilling. The initial motivation to jump in, the development, the anticipation on game day all result in one wild ride. If you’re fortunate enough to win that competition, the emotions can be overwhelming. This is where Science Fair… Read More ›
“Summer ‘03” is a hilariously honest coming-of-age story from a female POV.
Nostalgia is a tricky thing. It has a way of sugar-coating things – songs, books, toys, even experiences – so that all we remember is the way we think we felt about it. The older we get, the more frequent… Read More ›
Get ready to jump to hyperspace: “Solo: A Star Wars Story” is available now.
Solo: A Star Wars Story may have been doomed to fail from the beginning. Prequels, in general, are tricky propositions. The entire concept is intended to shed new light on existing characters while also providing extensive back story. This is… Read More ›
Unfortunately, even inspired storytelling can’t help “Mermaid’s Song” sing on key.
The seaweed is always greener in somebody else’s lake; or perhaps in the case of Mermaid’s Song, the dust settles differently upon each poor family’s farm. Naturally, you can see that the saying isn’t quite as catchy as the one… Read More ›
Craig William Macneill’s “Lizzie” examines the complicated life that spawned a legend.
Lizzie Borden took an axe And gave her mother forty whacks; when she saw what she had done, She gave her father forty-one. A nursery rhyme beloved by fellow weird kids around the world, the tale of Lizzie Borden has… Read More ›
Heed the call of “The Song of Sway Lake” where time wants to stand still.
Close your eyes and picture the best day in your life. Imagine the sights, the smells, and the sounds. Remember how it all felt on your skin. On your nerves. On your bones. As you open your eyes, you remember… Read More ›
Jennifer Garner’s back in action with “Peppermint”.
There’s something deeply cathartic about a well-made revenge flick. Watching the mayhem unfold on screen while the hero pursues victory like an unrelenting Valkyrie, dispatching adversaries with dogged determination until they all lie broken and defeated at their feet. These… Read More ›
The magic just isn’t there in “A Wizard’s Tale”.
Let’s throw out the term “international animation.” What do you think of? Japan’s magically eloquent Studio Ghibli? Or perhaps the UK’s pleasantly quirky claymation studio, Aardman? Even France’s beautiful two-dimensional animation studio Folimage could come to mind. Mexico, however, hasn’t… Read More ›